Yet another legs-up-peas-on-knees boredom induced post for y'all -
A Glossary of ID Fabrics
not complete or definitive, but certainly a good start
Silk, Silk Dupion, Silk Shantung - Silk is made from the threads spun into cocoons by silk worms. The cocoons are unwound and the very fine filament wound onto a spool. Several of these filaments are combined to make one thread which is then used to weave silk fabrics. Dupion is made from irregular threads and as such often has a slightly bumpy or "slubbed" texture. It has a lovely shine and is available in many bright vibrant colours, as well as two-tone "shot" colours. It is very popular to use as the base of dresses, as well as linings, due to the vast number of rich colours you can get it in.
To be used as a base it should be interfaced first with a woven cotton interacing such as those manufactured by HTC and Freudenberg (brand names pellon and vilene). Silk can be prone to wear especially on corners and edges and if it is rubbed against abrasive fabrics (such as sequins). As always you should try and buy the best quality fabric you can as the better the quality the less likely it is to wear. Interfacing as previously mentioned will also help to strengthen the silk.
(image courtesy
Equilter)
Metallic Silk - Metallic Silk is made by combining a metallic warp with a silk weft. The finished effect is a very shiny smooth metallic fabric. It is very popular as a base fabric as it gives a lovely shine on stage, without too much glitz, and is generally easy to work with. It is wise to preshrink the fabric with a steam iron before use. The fabric is available in a wide range of colours from silver and gold, through pastels and into rich jewel tones. Two tone/shot metallic silks are also available where the metallic is a different colour or shade to the silk.
(image courtesy
White Lodge)
Velvet - The fabric of choice in the past, Velvet can be heavy and hot, but the colours are rich. Cotton velvet used to be used for costumes, however silk and synthetic velvets are available which are much lighter and some dancers are now using these for their dress. Glittery varieties can also be bought.
Gaberdine, Traveira - A popular choice for school dresses and also used in solos. Available in a wide range of colours including white, black, dark colours (burgundy, dark greens) and neons. The fabric is dull with no shine, and the weave produces a texture of diagonal lines. It wears well hence it's being popular for school dresses.
Satin - A soft, drapey fabric with a shine. The most commonly available (and the most reasonably priced) are synthetic. Some of the readily available satins can be cheap quality - very flimsy with little body. Purchasing a better quality slightly thicker satin is worthwhile. Some satins - particularly Duchess satin (often used in Bridal wear) can be heavy. Also be wary of Acetate satin, it can pull apart where it has been satin stitched. Good for applique and linings.
Glitterball, Glitterdot, Confetti Dot, Sequinned American Knit - This fabric is made from a base of jersey lurex (aka "American Knit"). This is then covered with evenly spaced sequin type dots (either 6mm or 3mm). It is available in normal metallic, two tone, and holographic effects. It is widely used as applique as it gives a lovely sparkle effect on stage, and is cost effective. It is also being used as a base fabric for dresses in the higher levels, although it can be prone to wear along edges and anywhere the fabric rubs (eg, around the sleeves).
As the base jersey is often quite sheer it shows through the colour of the fabric behind, so it is best to back the fabric with a poly-cotton, satin or similar of the same colour, even if only using it for applique. When buying this fabric ensure you get a good quality one, as the cheaper versions are far more likely to shed the dots. Mod Podge can be used to help prevent dots from falling off.
Holographic Squares, Square Glitterball, Square Sequin Knit - The base of this fabric is the same "American Knit" jersey lurex as for normal glitterdot. However it is then covered with closely spaced squares. The most widely used version of this is Holographic, although it is possible to get plain metallic squares. As with Glitterball it is wise to get a good quality version of this fabric, even if it means mail ordering or paying a little more. Some of the Holographic Square fabics available are very prone to shedding, while the better quality fabrics will keep the sequins longer. Mod Podge can be used to help prevent the squares from coming off.
The fabric is widely used for applique due to the lovely sparkle it has under lights. It is also being used as a base fabric, although as such it can be prone to wear on edges, and anywhere the fabric rubs against itself (ie where the sleeves touch the sides).
Diamond Knit, Diamond Glitterball - Again this fabric has a base of "American Knit" metallic jersey, which is covered in diamond shaped sequins. It is available in plain metallic and holographic versions, with some two tone effects available. It is popular for applique, but can be (and is) used as a base fabric (although it would be prone to wear along edges and where the fabric rubs). As always you should try and get the best quality you can in in order to get a fabric which is less likely to shed it's diamonds, although it is possible to treat the fabric with Mod Podge to help prevent this.
Velour Glitterball - The base of this fabric is Velour, a velvet like synthetic material. The most commonly available colours are white, black, and neon yellow, pink green and orange, but you can also get darker tones such as purple and red. The velour base is covered with small silver holographic sequin-like dots. Although the darker colours are available, the silver dots make the overall appearance on stage much lighter. It is also possible to get this fabric with self coloured plain metallic dots (eg black on black, navy on navy) or two tone (red on black, blue on black) although they are not as readily available.
Sewn Sequins - A plain stretch lycra type base with sequins sewn on. The sequins on this fabric sit next to each other, but with no spaces, giving a solid holographic effect, with plenty of sparkle. Widely available in Silver, Gold, Red, Blue, Purple/Magenta, Black and Turquoise Holographic and White Pearl. Now also available in Neon Holographic Pink, Orange, Yellow and Green. Other colours may also be found from some suppliers. Most commonly used for applique, but in the top levels dancers also have dresses with this fabric as the base. Drawbacks include the cost (around GB£50/m upwards), the weight, and the fact that the sequins can shed.
(image courtesy
Online Fabrics)
Fishscale Sequins - A stretch base with sequins sewn on so that they overlap each other (like a fish's scales). Typically available in similar colours as Sewn Sequins. Also a Plain Black can be found. Uses and drawbacks as for Sewn Sequins. This version of the sequin fabric is heavier as there are more sequins.
Sequinned Chiffon - A chiffon (sheer, floaty fabric) base which has sequins sewn on. In some cases the sequins may be closely spaced with small gaps, all over the fabric. Other chiffons may have the sequins randomly spaced, or combined with fine, delicate embroidery in scroll or floral type designs. This fabric is lovely for sleeves, but may also be used for a full costume and/or applique if it is first backed with another fabric. The all over version of this fabric in particular is inclined to catch on itself and lose sequins.
(Image courtesy
White Lodge)
Lame, Paper Lame, Tissue Lame - This is a very fine and delicate metallic fabric which frays very easily. It is best suited to applique but still needs to be backed with a cotton interfacing in order to give it a bit more stabilty for embroidering. Mod Podge can also be used to prevent splitting and fraying along the lines of stitching. The fabric is not the best choice for a base fabric, but if backed with a good quality fusible interfacing such as French Fuse, the lame become far stronger and easier to work with (Thanks to Susan Gowin for tip). Also good for linings.
Rocky Lame - Rocky Lame is a slightly more durable metallic fabric. Like Paper Lame it is very prone to fraying but is slightly thicker so stronger. The "rocky" comes from the texture of the fabric, which is slightly bumpy, giving it a lovely twinkle. It is best suited to applique though it can also be used for the base of a dress providing it is well interfaced and overlocked/serged to prevent fraying. It should be noted though that it can be prone to bubbly when being fused to interacing so care needs to be taken.
Liquid Lame - A shiny metallic fabric best suited to applique. It is made from a polyester jersey base which is then covered with tiny dots of metallic paint. It is available in metallic, metallic two tone (ie. blue base, green metallic) and holographic effects in many colours. It should be noted that this fabric is not really suitable for linings or for making a full dress from as the paint wears off very easily over time, leaving just the base colour.
Lamine - This is a fabric made by
Rosebrand. It has a similar appearance to Tissue Lame but is thicker and stronger. It's is less likely to split so would be a better choice. Can be used as the base of a dress providing it has been interfaced.
Holographic Shimmer, Holographic Lame - This fabric is similar to a paper lame but much drapier, less fragile and it is holographic. As the actual threads of the fabric are holographic rather than it being painted on, you can rest assured the holographic effect will not wear away as it would on a Liquid Lame. It is often used for applique, but if backed with a cotton interfacing it can also be used for linings or as the base fabric of a dress.
Lycra - A thick and very stretchy jersey fabric which is very popular for use in costumes for other forms of dance. It is available in many plain colours, ranging from the basics through to vibrant neons. Many varieties of holographic and patterned lycras are also available, and are becoming very popular for applique. They can also be used as a base for a dress, or for lining, but they can be quite heavy (this can lead to "sagging" if used for a lining). As the fabric is very stretchy it must be stabilised.
Pearl Organza - Highly popular, this fabric is sheer and has a pearlised effect. It is most readily available in white, pink, lilac and blue, although various suppliers also have it in Orange and other shades. To be used as the base of a dress it must be overlayed onto a fabric such as satin, preferably by fusing with Bondaweb or similar. Also suitable for linings, and lovely as an applique.
Glitter Organza - Various organza's are available with glitter effects. One of the most popular is available in pastel colours as well as red and black has spaced out patches of holographic glitter and small silver beads. This gives a lovely subtle twinkle on stage. Others simply have small dots of glitter spaced out acrosds the fabric. White Lodge sell a great glitter organza called Falling Rain. As with the pearl organzas, these need to be backed with a satin or other fabric base. In the case of the glitter & bead patch organza, you need to be careful with the heat as it can melt the shine off the silver beads.
Other Organzas - Many other organzas are available. Twinkle or Crystal Organza is commonly used in Bridal and Evening wear and has a subtle shimmer (it is not glittery). This is due to the fibres being textured to reflect light. Others are available with flocked & glittery designs, embroidery, and even sequins and diamantes. As with all other organzas they require backing in a matching satin or similar due to their being see through.
image with no credit are my own.