Ladies and Gentlemen,
Welcome to Virtual International School’s production of ‘La Bayadére’. Programs are available if you would look under the Stage Room Forum. The Ballet is just about to start and we would appreciate it if you would kindly take your seats and turn off all Cell Phones, Pagers and other beeping devices. We hope you will enjoy this production as much as we have enjoyed putting it up for you. Please sit back, relax and enjoy the show. Thank you.

The lights dim and the Orchestra starts playing the overture as the curtain rises and reveals the first set.



Act 1 Scene 1: An Indian Temple

The High Brahmin, warriors and temple dancers enter the temple to celebrate the Indian Ritual of the sacred fire.

4 bars of 8 counts – Warriors enter the temple and surround the side.
1,2,3,4,5,6,7,8 – High Brahmin enters and stands in front of sacred fire, slowly lifting
hands up to open fifth position.
1,2,3,4,5,6,7,8 – Slowly walks to front of stage in traditional position (hands placed on
both shoulders).
1,2,3,4,5,6,7,8 – Continue walking to front of stage.
1,2,3,4,5,6,7,8 – Stops and then stretched right arm to side.
1,2,3,4,5,6,7,8 – Holds arm there.
1,2,3,4,5,6,7,8 – Holds arm there.
1,2,3,4,5,6,7,8 – Slowly brings arm across his waist, holding onto left wrist.
10 bars of 8 counts – High Brahmin walks around the sacred fire slowly.
1,2,3,4,5,6,7,8 – Lands up behind the sacred fire.
1,2,3,4,5,6,7,8 – First four temples dancers (back row) walk out, hands in traditional
position.
1,2,3,4,5,6,7,8 – Continue walking to position.
1,2,3,4,5,6,7,8 – Next 4 temples dancers (front row) walk out, hands in traditional
position.
1,2,3,4,5,6,7,8 – Continue walking to position.



1,2,3,4,5,6 – Raise arms to open fifth over the sacred fire and then lower.
1,2,3,4,5,6 – Relevé and then couru to new position.



Groups:
A – elmaire; NSBPointeDancer; Margot2; Dancing_Bianca
B - darling_dancer; Zellena; Balletic; Dance_Rach

1,2,3,4,5,6 – Raise arms to open fifth over the sacred fire and then lower.
1,2,3,4,5,6 – Couru away from sacred fire followed by a souténu.
1,2,3,4,5,6 – Go into éffacé derriére and then bend knee into traditional greeting.
1,2,3,4,5,6 – Take 3 steps towards sacred fire and then wait in first position.
1,2,3,4,5,6 – Relevé and lift hand above sacred fire.
1,2,3,4,5,6 – Do a single pirouette en attitude.
1,2,3,4,5,6 – Relevé into fifth position and couru on the spot.
1,2,3,4,5,6 – All girls go into pencheé.
1,2,3,4,5,6 – Group B courus away from the sacred fire followed by a pique arabesque
while Group A kneels and continuously rises hands up and down.
1,2,3,4,5,6 – Group B courus back to fire followed by a pique pirouette while group A
continues the same actions.
1,2,3,4,5,6 – Group B courus away from the sacred fire followed by a pique arabesque
while Group A kneels and continuously rises hands up and down.
1,2,3,4,5,6 – Group B courus back to fire followed by a pique pirouette while group A
continues the same actions.
1,2,3,4,5,6 – All girls couru away from the sacred fire followed by a pique arabesque.
1,2,3,4,5,6 – All girls couru back to fire followed by a pique pirouette.
1,2,3,4,5,6 – Do a single pirouette en attitude.
1,2,3,4,5,6 – Step up into fifth position sur les pointe and then run into new position, arms
in traditional position.



1,2,3,4,5,6 – Do a Pas de bourreé pique follwed by a souténu.
1,2,3,4,5,6 – Do a Pas de bourreé pique follwed by a souténu.
1,2,3,4,5,6 – Do a Pas de bourreé pique follwed by a souténu.
1,2,3,4,5,6 – Couru closer to each other.
1,2,3,4,5,6 – Take 3 steps forward.
1,2,3,4,5,6 – Take another 2 steps forward and then pique en attitude.
1,2,3,4,5,6 – Couru to right followed by a single souténu.
1,2,3,4,5,6 – Run to new position.



1,2,3,4,5,6 – All girls couru away from the sacred fire followed by a turn into a pique
arabesque.
1,2,3,4,5,6 – Couru back to sacred fire and then do a glissade into a pique arabesque.
1,2,3,4,5,6 – All girls couru away from the sacred fire followed by a turn into a pique
arabesque.
1,2,3,4,5,6 – Couru back to sacred fire and then do a glissade into a pique arabesque.
1,2,3,4,5,6 – Do a Pas de bourreé pique follwed by a souténu.
1,2,3,4,5,6 – Do a Pas de bourreé pique follwed by a souténu.
1,2,3,4,5,6 – Take three steps back then go into a pencheé.
1,2,3,4,5,6 – Walk back to sacred fire then relevé to fifth and lift hands over fire.
1,2,3,4,5,6 – Couru away from fire and then do a souténu.
1,2,3,4,5,6 – Go into éffacé derriére and then bend knee into traditional greeting.
1,2,3,4,5,6 – Walk back towards sacred fire and wait in first position.
1,2,3,4,5,6 – Relevé in fifth and then couru on spot then move back to edge of stage.

After the ceremony, the High Brahmin calls for Nikiya, the most beautiful of all the bayadéres (temple dancers) to dance for the sacred fire.

4 bars of 8 counts – Nikiya walks continuously until reach left side of sacred fire hands in
traditional position (hands on either side of shoulder).
1,2,3,4,5,6,7,8 – Take 3 steps forward and pause.
1,2,3,4,5,6,7,8 – Take 3 steps forward and pause.
1,2,3,4,5,6,7,8 – Face forward and then wait in first position.
1,2,3,4,5,6,7,8 – High Brahmin moves towards her and then pulls off veil.
1,2,3,4,5,6,7,8 – Waits in first.
1,2,3,4,5,6,7,8 – High Brahmin motions to her to dance by lifting hands into open fifth.
1,2,3,4,5,6,7,8 – Nikiya bows to the High Brahmin.

Start with legs in croisé derriére, right hand lifted up and left just by the side.
1,2,3,4,5,6,7,8 – Right hand sways upwards and then bends front knee slightly and then
bends it even more.
1,2,3,4,5,6,7,8 – Does a circular port de bras as she straightens knee and then takes a step
around and steps up onto fifth sur les pointe.
1,2,3,4,5,6,7,8 – Takes a step to the side into fifth sur les pointe, repeats it twice.
1,2,3,4,5,6,7,8 – Couru round in a cicle and then end with legs in croisé derriére.
1,2,3,4,5,6,7,8 – Right hand sways upwards and then bends front knee slightly and then
bends it even more.
1,2,3,4,5,6,7,8 – Does a circular port de bras as she straightens knee and then takes a step
around and steps up onto fifth sur les pointe.
1,2,3,4,5,6,7,8 – Takes a step to the side into fifth sur les pointe, repeats it twice.
1,2,3,4,5,6,7,8 – Takes a step to the side into fifth sur les pointe and then waits before
lowering down into first position.
1,2,3,4,5,6,7,8 – Couru around in a circle to back of stage.
1,2,3,4,5,6,7,8 – Couru til back of stage and then couru on the spot.
1,2,3,4,5,6,7,8 – Bends down and then waves arms over sacred fire.
1,2,3,4,5,6– Walks back to front of stage.
1,2,3,4,5,6,7,8 – Does a relevé attitude dévant and then repeat on other leg.
1,2,3,4,5,6,7,8 – Couru to the right finish in croisé dévant.
1,2,3,4,5,6,7,8 – Couru to the left, finish in croisé dévant.
1,2,3,4,5,6,7,8 – Does a relevé attitude dévant and then repeat on other leg.
1,2,3,4,5,6,7,8 – Turn around transferring weight from right foot to left in coupé position,
followed by a pique pirouette.
1,2,3,4,5,6,7,8 – Turn around transferring weight from right foot to left in coupé position,
followed by a pique pirouette.
1,2,3,4,5,6,7,8 – Turn around transferring weight from right foot to left in coupé position,
followed by a pique pirouette.
1,2,3,4,5,6,7,8 – Couru in a semi-circle.
1,2,3,4,5,6,7,8 – Turn around transferring weight from right foot to left in coupé position.
1,2,3,4,5,6,7,8 – Turn around transferring weight from right foot to left in coupé position.
1,2,3,4,5,6,7,8 – Turn around transferring weight from right foot to left in coupé position
for 4 counts and then do chaines towards audience.
Finish in croisé derriére with hands in open fifth palms facing the ceiling.

After Nikiya finishes the dance, the High Brahmin makes known his love for her. However, Nikiya rejects his love as she is already in love with Solor, a young warrior.

Nikiya is standing in first position with hands on either side of shoulders.
4 bars of 8 counts – High Brahmin slowly walks towards Nikiya.
2 bars of 8 counts – Nikiya starts to walk in opposite direction.
2 bars of 8 counts – High Brahmin stretches arm to Nikiya, she looks in his direction and
then looks away.
2 bars of 8 counts – Nikiya goes back into original position.
2 bars of 8 counts – High Brahmin turns around to face sacred fire.
4 bars of 8 counts – All dancers bring hand up into open fifth position and then bring it
through a prayer position into original positions.
4 bars of 8 counts – Repeat, temple dancers walking forward to circle the fire.
2 bars of 8 counts – High Brahmin walks to Nikiya.
2 bars of 8 counts – He stops, looks away and then at Nikiya again.
4 bars of 8 counts – He takes another step to Nikiya and then brings hands across his
heart and then stretches it to Nikiya.
4 bars of 8 counts – Nikiya walks towards High Brahmin as he walks away, points to him
then turns around pretending to put a water vase on her shoulder and
then lifts hand high and points in palm up at him, rejecting him and
walks away to original position.
2 bars of 4 counts – High Brahmin walks to Nikiya and puts his arm around her.
4 bars of 4 counts – He turns Nikiya around and walks her but she pushes him away.
4 bars of 4 counts – High Brahmin walks back to her pleading her to accept his proposal.
3 bars of 4 counts – He takes off his crown and presents it to Nikiya.
4 bars of 4 counts – Nikiya walks to him as he walks off.
2 bars of 4 counts – High Brahmin grabs her and tried to kiss her, but she pushes him off.
1 bars of 4 counts – Nikiya turns around to face him as he stares at her.
8 bars of 4 counts – Stay in position.
4 bars of 4 counts – Start to look away from each other.
4 bars of 4 counts – They walk away from each other, Nikiya moving back to her original
position.
4 bars of 4 counts – High Brahmin send Nikiya off, temple dancers following her.
Until end of music – High Brahmin exits followed by warriors.


Nikiya enters the temple again after a while with a vase of sacred water. While waiting for Solor to appear, she dances by herself.

Music Introduction:
Nikiya appears on the top of stairs holding a vase of sacred water on her shoulder and then walks into the temple looking around to see if its empty. She lands up in stage right center in éffacé derriére.

1,2,3,4,5,6,7,8 – Take 4 steps forward.
1,2,3,4,5,6,7,8 – Take 2 more steps forward and then run stepping up into fifth en pointe.
1,2,3,4,5,6,7,8 – Turn to face other direction and then do a pique en arabesque then run
forward and step up into fifth sur les pointe.
1,2,3,4,5,6,7,8 – Turn to face other direction and then do a pique en arabesque then run
forward and step up into fifth sur les pointe.
1,2,3,4,5,6,7,8 – All en pointe, do a petite devéloppé dévant followed by a chassé. (x4)
1,2,3,4,5,6,7,8 – Repeat 2 more times and the couru around in a circle.
1,2,3,4,5,6,7,8 – Do a pique en arabesque then run forward and step up into fifth sur les
pointe.
1,2,3,4,5,6,7,8 – Couru backwards and then do a souténu.
1,2,3,4,5,6,7,8 – Continue to couru backwards in a circle around the sacred fire followed
by a souténu.
Until end of the music – Nikiya places the Vase of water aside and then looks towards
stage left, waiting for Solor.

As Nikiya finishes her dance, Solor enters the stage and claps twice to announce his arrival. Nikiya jumps into his arms as they dance a beautiful Pas De Deux, proclaiming their love for each other.

1,2,3,4,5,6 – Solor enters from stage right and claps his hand twice. Nikiya turns around
and relevés in fifth.
1,2,3,4,5,6,7,8 – Nikiya runs towards Solor.
1,2,3,4,5,6,7,8 – She jumps into his arms and he spins her around on his right shoulder.
1,2,3,4,5,6,7,8 – Solor puts Nikiya down on his right and then holds her waist as she goes
into arabesque position and then she turns to his other side.
1,2,3,4,5,6,7,8 – Solor and Nikiya run in a big circle around the sacred fire.
1,2,3,4 – Continue running until reach center stage.
1,2,3,4,5,6,7,8 – Then Nikiya goes into arabesque with Solor’s arm around her waist and
then he promenades her then she goes into a pencheé and then brings her
feet down to fifth sur les pointe.
1,2,3,4,5,6,7,8 – Nikiya courus away from Solor as he kneels in front of her.
1,2,3,4,5,6 – Nikiya takes 2 steps to Solor walking behind him.
1,2,3,4,5,6 – She then pauses in croisé derriére and then bends her back back.
1,2,3,4,5,6 – She them takes 2 more steps around Solor.
1,2,3,4,5,6 – Nikiya takes one more step and then turns into Solor’s arms.
1,2,3,4,5,6 – Nikiya steps into arabesque, leaning far forward with Solor supporting her.
1,2,3,4,5,6 – Solor brings her back to balance and then she leans forward again.
1,2,3,4,5,6 – Nikiya then turns a bit so her back is leaning on Solor and does a devéloppé
dévant.
1,2,3,4,5,6 – Nikiya then brings her extended leg down and runs away from Solor to fifth
sur les pointe.
1,2,3,4,5,6 – Solor grabs her hand and pulls as Nikiya courus sidewards towards Solor.
1,2,3,4,5,6 – She continues to couru and then goes into a triple supported pirouette.
1,2,3,4,5,6 – Nikiya stops facing stage left and then bends her back back and then front.
1,2,3,4,5,6 – Solor then turns her in a single pirouette.
1,2,3,4,5,6 – Solor then picks her up until she’s horizontal to the ground and moves to
stage right and then puts her feet on the ground, but she is still leaning.
1,2,3,4,5,6 – They bring opposite arms into fifth together and then into second.
1,2,3,4,5,6 – Solor then twists Nikiya around so she’s in a presage position but on his
left and he’s holding her against his side.
1,2,3,4,5,6 – Nikiya then brings feet to fifth sur les pointe as Solor lowers her.
1,2,3,4,5,6 – Nikiya then takes 2 steps back holding Solor’s hands.
1,2,3,4,5,6 – She take one more step back and then goes into fifth sur les pointe and then
does a devéloppé dévant.
1,2,3,4,5,6 – Nikiya then does a fouette into a double pirouette en attitude, supported by
Solor.
1,2,3,4,5,6 – After the second turn, Nikiya remains in attitude derriére and bends her back
back as Solor promenades her and then she brings her leg into arabesque.
1,2,3,4,5,6 – Nikiya then takes 2 steps back holding Solor’s hands.
1,2,3,4,5,6 – She take one more step back and then goes into fifth sur les pointe and then
does a devéloppé dévant.
1,2,3,4,5,6 – Nikiya then does a fouette into a double pirouette en attitude, supported by
Solor.
1,2,3,4,5,6 – After the second turn, Nikiya remains in attitude derriére and bends her back
back as Solor promenades her and then she brings her leg down to fifth.
1,2,3,4,5,6 – Nikiya courus sidewards away from Solor.
1,2,3,4,5,6 – Then does a pique arabesque and then a pique pirouette.
1,2,3,4,5,6 – She then does another pique arabesque, hands going to fifth, but Solor grabs
her hands and then twists her to face him.
1,2,3,4,5,6 – He tries to kiss her but Nikiya turns away and runs away, Solor behind her.
1,2,3,4,5,6 – Nikiya then turns to face other direction and runs that way.
1,2,3,4,5,6 – She stops in éffacé dévant and then does a circular port de bras.
1,2,3,4,5,6 – She does a souténu and runs forward.
1,2,3,4,5,6 – She stops in éffacé dévant and then does a circular port de bras.
1,2,3,4,5,6 – Then she runs forward again and turns to face Solor.
1,2,3,4,5,6 – She relevés in fifth and courus on the spot.
1,2,3,4,5,6 – Nikiya runs to Solor.
1,2,3,4,5,6 – Solor then lifts her up in a swallow lift.
1,2,3,4,5,6 – He walks forward a few steps.
1,2,3,4,5,6 – Solor then puts Nikiya down.
1,2,3,4,5,6 – They stand opposite each other with their right palms touching.
1,2,3,4,5,6 – Solor then walks behind her.
1,2,3,4,5,6 – He puts his arms around her waist.
1,2,3,4,5,6 – Nikiya then takes a few steps forward and turns to do a pique en attitude.
1,2,3,4,5,6 – Solor puts his arm around her waist as she leans back.
1,2,3,4,5,6 – He then puts his head to her chest as she caresses his head.
1,2,3,4,5,6 – Nikiya then does a devéloppe dévant.
1,2,3,4,5,6 – She then turns herself and then brings leg to attitude derriére.
1,2,3,4,5,6 – She does a port de bras with her hand from first to fifth.
1,2,3,4,5,6 – She then finishes with her arm in open fifth.
1,2,3,4,5,6,7,8 – Solor suddenly turns Nikiya to face other side and the walks away.
1,2,3,4,5,6,7,8 – He takes another few steps away from nikiya.
1,2,3,4,5,6,7,8 – He then brings his hands to his heart then motions to Nikiya.
1,2,3,4,5,6,7,8 – Then he brings both his hands back to hie heart.
1,2,3,4,5,6,7,8 – Nikiya then runs to Solor.
1,2,3,4,5,6,7,8 – She takes Solor’s hands and then turns to the other direction.
1,2,3,4,5,6,7,8 – She then relevés in fifth and courus on the spot as Solor kneels in front
of her and takes her hands.
1,2,3,4,5,6,7,8 – Nikiya then does a souténu.
1,2,3,4,5,6,7,8 – Nikiya then does a pirouette into a développé a la second.
1,2,3,4,5,6,7,8 – She then does a Grand Jeté as Solor does a pirouette into a développé a
la second.
1,2,3,4,5,6,7,8 – Solor then does a Grand Jeté as Nikiya does a pirouette into a développé
a la second.
1,2,3,4,5,6,7,8 – She then does a Grand Jeté as Solor does a pirouette into a développé a
la second.
1,2,3,4,5,6,7,8 – Both of them then do a Grand Jeté.
1,2,3,4,5,6,7,8 – They do another Grand Jeté moving away from each other.
1,2,3,4,5,6,7,8 – Solor then stops and turns to face Nikiya.
1,2,3,4,5,6,7,8 – Nikiya turns around and relevés in fifth.
1,2,3,4,5,6,7,8 – Nikiya runs to Solor and he lifts her into an eagle lift as the High
Brahmin walks in at the tops of the stairs and sees them and then rushes
out.
1,2,3,4,5,6,7,8 – Nikiya courus to the side with Solor behind her and then does a petite
devéloppé dévant.
1,2,3,4,5,6,7,8 – Solor promenades her in that position then she does a double pirouette.
1,2,3,4,5,6,7,8 – She finishes in arabesque position and then courus sideways.
1,2,3,4,5,6,7,8 – Nikiya courus to the side with Solor behind her and then does a petite
devéloppé dévant.
1,2,3,4,5,6,7,8 – Solor promenades her in that position then she does a double pirouette.
1,2,3,4,5,6,7,8 – Nikiya then runs away from Solor as he kneels down.
1,2,3,4,5,6,7,8 – She then runs to him and holds his hands in hers.
1,2,3,4,5,6,7,8 – Nikiya then does a devéloppé derriére into a pencheé position.
1,2,3,4,5,6,7,8 – She then brings her leg down and then goes into a double pirouette.
1,2,3,4,5,6,7,8 – She then hugs Solor affectionately.
1,2,3,4,5,6,7,8 – She turns to face the opposite direction as Solor gets up.
1,2,3,4,5,6,7,8 – He then walks towards the sacred fire and stands behind it.
1,2,3,4,5,6,7,8 – He puts his hands to his heart and then points to Nikiya and then to the
sacred fire and then back to his heart.
1,2,3,4 – Solor then brings up his hand and points to the heavens.
1,2,3,4,5,6,7,8 – Nikiya then takes several steps forward.
1,2,3,4,5,6,7,8 – She does a pique to fifth sur les pointe and then courus on the spot.
1,2,3,4,5,6,7,8 – She courus in a big circle around the fire.
1,2,3,4,5,6,7,8 – Then she courus in a turn.
1,2,3,4,5,6,7,8 – Nikiya then runs forward to Solor and they entwine their arms.
1,2,3,4,5,6,7,8 – They then bring their arms down.
1,2,3,4,5,6,7,8 – Then the two of them walk to the front center stage hand in hand.
1,2,3,4,5,6,7,8 – With their arms around each other, they relevé in fifth.
1,2,3,4,5,6,7,8 – Then Nikiya goes into arabesque as Solor promenades her.
Until end of music – Solor kneels down as Nikiya sits on his raised knee.

Unfortunately, the High Brahmin had seen them together and as the two lovers run off, the High Brahmin enters and swears to get his revenge on them.

2 bars of 8 counts – Solor stands up as if hearing something, holding Nikiya’s hands, he
looks into her eyes one more time and pushes her gently as if telling
her to go.
1 bars of 8 counts – Solor and Nikiya run off stage.
1 bars of 8 counts – The High Brahmin enters on the top of the stairs.
4 bars of 8 counts – The High Brahmin runs down the stairs in the direction Solor went in
and then brings his hands over his head in a prayer position and then
slowly brings it down to his chest level.
1 bars of 8 counts – The High Brahmin suddenly pushes his hand apart and stomps to
the other side of the stage and turns to face the back.
2 bars of 8 counts – He lifts his hands up to the ceiling and then stomps to behind the
sacred fire, facing the audience.
2 bars of 8 counts – He lifts his hands up to the ceiling again and then brings it down
slowly into a prayer position.
1 bars of 8 counts – The High Brahmin points his finger in the direction Solor went in
and then looks in that direction.
Until end of music – The High Brahmin stretches left arm to side and then brings right
arm all the way round and then clenches fist as if swearing revenge.

The curtain falls as the Orchestra starts to play the overture of the next Scene. The curtains rise again to reveal a new set.



Act 1 Scene 2: A room in the Rajah’s palace

As the curtains open, a couple of warriors are on stage with the Rajah, celebrating in honor of his daughter, Gamzatti and the young noble warrior, Solor.

15 bars of 8 counts – Overture. Curtains still closed.
6 bars of 8 counts – Warriors enter, greeting each other.
1 bar of 8 count – Rajah enters and the warriors greet him the traditional way.
2 bars of 8 counts – Rajah orders the portrait of Solor to be brought out which is places
on stage left.
12 bars of 8 counts – The Rajah and the warriors make a toast to Solor and the warriors
move to position.



1,2,3,4,5,6,7,8 – Group on right walk around in a circle slowly.
1,2,3,4,5,6,7,8 – Complete the circle and then stamp right foot twice.
1,2,3,4,5,6,7,8 – Group of left repeat.
1,2,3,4,5,6,7,8 – Repeat.
1,2,3,4,5,6,7,8 – Group on the right takes 4 jumps forward in arabesque position then
change foot and repeat.
1,2,3,4,5,6,7,8 – Small jeté forward and then into a double cabriole and then a half-break.
1,2,3,4,5,6,7,8 – Group on left repeat.
1,2,3,4,5,6,7,8 – Repeat.
1,2,3,4,5,6,7,8 – New group on the right do a quatre entrélace followed by a glissade to
the right. Repeat.
1,2,3,4,5,6,7,8 – Do a quatre entrélace and then a pique arabesque on right leg. Repeat.
1,2,3,4,5,6,7,8 – New group on the left do a quatre entrélace followed by a glissade to
the right. Repeat.
1,2,3,4,5,6,7,8 – Do a quatre entrélace and then a pique arabesque on right leg. Repeat.
1,2,3,4,5,6,7,8 – Both groups get into a small circle each and then do a pique transfer to
attitude dévant and then another pique to attitude derriére.
1,2,3,4,5,6,7,8 – Do 4 petite jeté followed by a pique to attitude derriére.
1,2,3,4,5,6,7,8 – Break out of circle into original position as group on right takes four
steps changing direction of hip on each step followed by a quatre Brisé
volé. Repeat.
1,2,3,4,5,6,7,8 – Relevé to retire position then go into fourth in demi-plié into a double
pirouette.
1,2,3,4,5,6,7,8 – Group on the left takes four steps changing direction of hip on each step
followed by a quatre Brisé volé. Repeat.
1,2,3,4,5,6,7,8 – Relevé to retire position then go into fourth in demi-plié into a double
pirouette.
1,2,3,4,5,6,7,8 – Both groups take 2 steps forward on each step doing a petite devéloppé
followed by a dévant cabriole.
1,2,3,4,5,6,7,8 – Repeat to other side.

1,2,3,4,5,6,7,8 – Both groups do a quatre entrélace followed by a glissade to
the right. Repeat.
1,2,3,4,5,6,7,8 – Do a quatre entrélace and then a pique arabesque on right leg. Repeat.
1,2,3,4,5,6,7,8 – Do a quatre entrélace and then a pique arabesque on right leg. Do
another quatre entrélace into second position grand plié.
1,2,3,4,5,6,7,8 – Do a quatre entrélace and then go into a double tour en l’air and finish
in a kneeling position with left foot forward.

To continue the celebration, the Rajah invites several dancers to partake by ordering to do a D’Jambe Dance in honor of his daughter.



Start in above position with legs in croisé dévant.
1,2,3,4,5,6,7,8 – 2 Jeté battu at retire position followed by sauté in arabesque position on
right foot. With left leg in coupé position, shift weight back and forth.
1,2,3,4,5,6,7,8 – With left leg in coupé position, shift weight back and forth going around
in a circle.
1,2,3,4,5,6,7,8 – 2 Jeté battu at retire position followed by sauté in arabesque position on
right foot. With left leg in coupé position, shift weight back and forth.
1,2,3,4,5,6,7,8 – With left leg in coupé position, shift weight back and forth going around
in a circle.
1,2,3,4,5,6,7,8 – 4 petite jeté.
1,2,3,4,5,6,7,8 – 4 petite jeté.
1,2,3,4,5,6,7,8 – Do small sautés in attitude dévant position, hands going around in circle.
1,2,3,4,5,6,7,8 – Do small sautés in attitude dévant position, hands going around in circle.
1,2,3,4,5,6,7,8 – Do small sautés in attitude dévant position, hands going around in circle.
1,2,3,4,5,6,7,8 – Do small sautés in attitude dévant position, hands going around in circle.
1,2,3,4,5,6,7,8 – Do chassés in a small circle.
1,2,3,4,5,6,7,8 – Continue doing chassés.
1,2,3,4,5,6,7,8 – Chassé into position in below diagram.



1,2,3,4,5,6,7,8 – Do a souténu and then finish in éffacé dévant facing each other.
1,2,3,4,5,6,7,8 – Take 2 steps forward then turn into an arabesque doing 2 sautés.
1,2,3,4,5,6,7,8 – Turn and bring leg down and then do two sautés back in attitude dévant
and then devéloppé dévant.
1,2,3,4,5,6,7,8 – Take 2 steps forward then turn into an arabesque doing 2 sautés.
1,2,3,4,5,6,7,8 – Turn and bring leg down and then do two sautés back in attitude dévant
and then devéloppé dévant.
1,2,3,4,5,6,7,8 – Take 2 steps forward then turn into an arabesque doing 2 sautés.
1,2,3,4,5,6,7,8 – Turn and bring leg down and then do two sautés back in attitude dévant
and then devéloppé dévant.
1,2,3,4,5,6,7,8 – Take 2 steps forward then turn into an arabesque doing 2 sautés.
1,2,3,4,5,6,7,8 – Slowly walk around in a circle.
1,2,3,4,5,6,7,8 – Slowly walk around in a circle.
1,2,3,4,5,6,7,8 – Continue walking and on last count, relevé and then kneel. At the same
time soloists come in and go into below position.



Starting position for soloists: Legs in éffacé derriére, facing each other.
1,2,3,4,5,6,7,8 – Quatre entrechat and then take four steps back away from each other by
stepping back on right stretching left leg out in petite devéloppé
1,2,3,4,5,6,7,8 – Quatre entrechat and then take four steps moving towards each other by
stepping back on right stretching left leg out in petite devéloppé
1,2,3,4,5,6,7,8 – Quatre entrechat and then take four steps back away from each other by
stepping back on right stretching left leg out in petite devéloppé
1,2,3,4,5,6,7,8 – Quatre entrechat and then take four steps moving towards each other by
stepping back on right stretching left leg out in petite devéloppé
1,2,3,4,5,6,7,8 – Jump into attitude derriére followed by a Pas de Bourreé and then jump
into attitude derriére followed by Pas de Bourreé.
1,2,3,4,5,6,7,8 – Jump into attitude derriére followed by a Pas de Bourreé and then jump
into attitude derriére followed by Pas de Bourreé.
1,2,3,4,5,6,7,8 – Jump into attitude derriére followed by a Pas de Bourreé and then jump
into attitude derriére followed by Pas de Bourreé.
1,2,3,4,5,6,7,8 – Quatre Entrechat followed by taking 2 steps back away from each other
by stepping back on right stretching left leg out in petite devéloppé.
1,2,3,4,5,6,7,8 – 2 Jeté battu at retire position followed by sauté in attitude derriére legs
into fondu.
1,2,3,4,5,6,7,8 – 2 Jeté battu at retire position followed by sauté in attitude derriére legs
into fondu.
1,2,3,4,5,6,7,8 – 2 Jeté battu at retire position followed by sauté in attitude derriére legs
into fondu.
1,2,3,4,5,6,7,8 – 2 Jeté battu at retire position followed by sauté in attitude derriére then
into an assemblé.
1,2,3,4,5,6,7,8 – Do small jumps in arabesque position.
1,2,3,4,5,6,7,8 – Do small jumps in arabesque position.
1,2,3,4,5,6,7,8 – Do small jumps in arabesque position.
1,2,3,4,5,6,7,8 – Petite jeté.
1,2,3,4,5,6,7,8 – Petite jeté.
1,2,3,4,5,6,7,8 – Finish in éffacé derriére facing each other.

As the dancers and the warriors exit the room, the Rajah suddenly has the idea of giving Gamzatti’s hand in marriage to Solor. He then orders for Gamzatti to be brought to him.

2 bars of 8 counts – The Rajah walks forward stretching hand towards Solor’s picture.
4 bars of 8 counts – He puts his hand on his chin as if getting an idea and then claps
his hand to call his servant and tells her to call Gamzatti. She bows
and runs off stage.
4 bars of 8 counts – Gamzatti enters and walks over to the Rajah and bows in the
traditional manner. The Rajah kisses her forehead.
2 bars of 8 counts – Gamzatti walks around in a circle away from the rajah and then tunrs
around to face him.
2 bars of 8 counts – The rajah touches his face with his hands to represent how pretty he
thinks she is then Gamzatti walks to him and he puts his arms around
her shoulders.
3 bars of 8 counts – The Rajah stretches his arm out to Solor’s picture and then one arm
to Gamzatti and then brings his hands together.
3 bars of 8 counts – Gamzatti runs over to the portrait of Solor and then reaches out to
touch it.
2 bars of 8 counts – Gamzatti walks back next to the Rajah and nods her head in
agreement.
6 bars of 8 counts – The Rajah kisses Gamzatti on the forehead again as a warrior enters
announce the arrival of Solor.
3 bars of 8 counts – Gamzatti exits the stage as Solor enters.
2 bars of 8 counts – Solor walks towards the Rajah and bows to him.
3 bars of 8 counts – The Rajah and Solor start ‘talking’ then the Rajah points to Solor and
brings his hands together. In shock, Solor repeats the Rajah as
Gamzatti enters with a veil covering her face.
2 bars of 8 counts – Solor walks to the warrior and asks him what is going on but the
comes to him and brings him towards Gamzatti.
4 bars of 8 counts – Solor walks over to Gamzatti as the Rajah removes her veil and they
bow to each other.
5 bars of 8 counts – Solor walks over to the warrior again and then walks back to the
Rajah who takes his hand and places it in Gamzatti. She then
brings Solor towards the chair on the right where she sits down.
1 bars of 8 counts – Nikiya and the slave enters and they bow to Gamzatti.


Nikiya and a Slave are called fourth to bless the union of Gamzatti and Solor and present the wedding veil. Nikiya dances for them, not knowing that the one who is to marry Gamzatti is her love.

Starting Positions – Nikiya is wearing a veil standing in front of the slave in fifth.
1,2,3,4,5,6 – Nikiya rises to fifth sur les pointe and courus on the spot.
1,2,3,4,5,6 – Going around in a circle, Nikiya does 2 piques to cou-le-pied position and
then finished the circle doing courus.
1,2,3,4,5,6 – Going around in a circle, Nikiya does 2 piques to cou-le-pied position and
then finished the circle doing courus.
1,2,3,4,5,6 – Going around in a circle, Nikiya does 2 piques to cou-le-pied position and
then finished the circle doing courus.
1,2,3,4,5,6 – Nikiya then courus to the left and then does a petite devéloppé dévant to
fourth sur les pointe, arms in third arabesque but palms facing upwards.
1,2,3,4,5,6 – Nikiya courus to the other side.
1,2,3,4,5,6 – She does a petite devéloppé dévant to fourth sur les pointe and then courus
in the other direction.
1,2,3,4,5,6 – She does a petite devéloppé dévant to fourth sur les pointe and then courus
to turn to face the back as the Slave pulls off her veil.
1,2,3,4,5,6 – She courus towards the slave and then lands in first standing in front of the
Slave, back to the audience.
1,2,3,4,5,6 – Nikiya does a pique pirouette towards the audience and then does a pique
arabesque as the Slave holds her upper arms as she goes in pencheé.
1,2,3,4,5,6 – Nikiya bring herself back up to arabesque as Slave puts one arm around her
waist and one around her extended leg.
1,2,3,4,5,6 – The Slave lifts her into a fish dive and then back to arabesque then Nikiya
turns around to stand in front of Slave in first.
1,2,3,4,5,6 – Nikiya does a pique pirouette towards the audience and then does a pique
arabesque as the Slave holds her upper arms.
1,2,3,4,5,6 – Nikiya leans down into pencheé and then brings leg down into fifth sur les
pointe facing stage right.
1,2,3,4,5,6 – Slave has left arm around Nikiya’s waist as she lefts her leg to retire and
bends her back back.
1,2,3,4,5,6 – Nikiya courus back and the Slave takes a few steps back.
1,2,3,4,5,6 – Nikiya does a pique araesbque in Gamzatti’s direction followed by a petite
devéloppé dévant and then courus forward.
1,2,3,4,5,6 – Nikiya does a pique araesbque in Gamzatti’s direction followed by a petite
devéloppé dévant and then courus forward.
1,2,3,4,5,6 – Slave has left arm around Nikiya’s waist as she lefts her leg to retire and
bends her back back.
1,2,3,4,5,6 – Nikiya then courus around in a circle.
1,2,3,4,5,6 – Nikiya does a pique pirouette away from Gamzatti and then courus forward.
1,2,3,4,5,6 – Nikiya does a pique pirouette away from Gamzatti and then courus forward.
1,2,3,4,5,6 – Slave has left arm around Nikiya’s waist as she lefts her leg to retire and
bends her back back.
1,2,3,4,5,6 – Nikiya courus back and the Slave takes a few steps back.
1,2,3,4,5,6 – Nikiya and the Slave run forward and the Slave lifts Nikiya on top of him
with her legs in retire position, back bent backwars.
1,2,3,4,5,6 – He lowers Nikiya in front of Gamzatti and Nikiya lowers herself until she
she is on her right leg and then bent downwards.
1,2,3,4,5,6 – Nikiya gets up and then faces opposite direction as Slave lifts her in presage
position but at chest level moving to opposite side putting Nikiya down in
arabesque.
1,2,3,4,5,6 – Nikiya courus back and the Slave takes a few steps back.
1,2,3,4,5,6 – Nikiya and the Slave run forward and the Slave lifts Nikiya on top of him
with her legs in retire position, back bent backwars.
1,2,3,4,5,6 – He lowers Nikiya in front of Gamzatti and Nikiya lowers herself until she
she is on her right leg and then bent downwards.
1,2,3,4,5,6 – Nikiya gets up and then faces opposite direction as Slave lifts her in presage
position but at chest level moving to opposite side putting Nikiya down in
arabesque.
1,2,3,4,5,6 – Nikiya courus slightly away from the Slave.
1,2,3,4,5,6,7,8 – The Slave lifts her in a swallow position.
1,2,3,4,5,6,7,8 – Hold.
1,2,3,4,5,6,7,8 – Slave lets Nikiya down into arabesque.
1,2,3,4,5,6,7,8 – Nikiya courus diagonally stage left and then goes into a double pirouette
1,2,3,4,5,6,7,8 – Slave supports her as she does a pencheé.
1,2,3,4,5,6,7,8 – Nikiya courus diagonally stage left and then goes into a double pirouette
1,2,3,4,5,6,7,8 – Slave supports her as she does a pencheé.
1,2,3,4,5,6,7,8 – Nikiya takes some flowers from the floor and then courus on the spot.
1,2,3,4,5,6,7,8 – The Slave lifts Nikiya straight up holding onto her knees.
1,2,3,4,5,6,7,8 – He then leans her to the side as Gamzatti moves in front of Nikiya. The
Rajah moves behind Gamzatti with her wedding veil.
1,2,3,4,5,6,7,8 – The Rajah places Gamzatti’s wedding veil on her head.
Until end of music – The Slave lifts Nikiya up in attitude derriére holding onto straight
leg and then Nikiya drops the flowers in front of Gamzatti and
finishes with arms in open fifth.

As Nikiya and the Slave leave, the servant announces the arrival of the High Brahmin who wishes to speak to the Rajah in private. The High Brahmin warns the Rajah of Solor and Nikiya’s secret relationship and the Rajah gets very angry.

4 bars of 8 counts – The High Brahmin slowly enters the palace, the Rajah surprised to
see him.
2 bars of 8 counts – Everyone bows to the High Brahmin as a sign of respect.
2 bars of 8 counts – The Rajah points to the High Brahmin and then to the palace as if
asking why he has come.
2 bars of 8 counts – The Rajah points towards Solor and Gamzatti and the looks away
disgustedly.
2 bars of 8 counts – The Rajah shrugs his shoulder, asking why he did that and the High
Brahmin puts his palm to his mouth saying he wants to speak to the
Rajah in private.
7 bars of 8 counts – The Rajah motions for everyone to leave and they do.
3 bars of 8 counts – The High Brahmin points to Gamzatti and Solor who are leaving and
then brings his palms together twice while the Rajah shrugs.
2 bars of 8 counts – The High Brahmin puts his hand out in a stop like action as if not
allowing that. The Rajah walks towards him, ready to draw out his
dagger.
6 bars of 8 counts – The High Brahmin stares at the Rajah and then walks past him,
folding his arms across his chest, he paces back and forth and then
stops in front of Solor’s portrait. At this point, Gamzatti has crept in
at the back of the room and is earsdropping.
3 bars of 8 counts – The High Brahmin points at Solor’s portrait and then brings his
hands down as if towards the sacred fire and then points it to the sky.
The Rajah again asks what the High Brahmin means.
4 bars of 8 counts – The High Brahmin grabs Nikiya’s veil which was left on the floor
and then walks back towards Solor’s portrait. Gamzatti calls her
servant over and orders her to bring Nikiya.
2 bars of 8 counts – The High Brahmin stretches out the veil in the Rajah’s direction. The
Rajah grabs the veil and throws it onto the floor.
2 bars of 8 counts – The Rajah bring his hand to the heart and then points at the heavens
and then brings his hand down in a fist and then walks away.
3 bars of 8 counts – The High Brahmin walks after him and pushes the veil in his
direction, but the Rajah just walks off.
3 bars of 8 counts – The High Brahmin holds the veil to his chest and slowly walks off.

Gamzatti unfortunately had overheard the conversation and orders her servant to bring Nikiya to her. Gamzatti tries to bribe Nikiya with money and jewels to forget Solor. Nikiya rejects this and even tries to stab Gamzatti before running off. Gamzatti swears to get rid of Nikiya.

2 bars of 8 counts – Gamzatti walks out from stage right holding on to her wedding veil,
she stops and pauses holding the veil to her chest.
2 bars of 8 counts – She runs to the middle of the stage holding the veil up and then
bringing it down and holds it tightly against her chest.
2 bars of 8 counts – She runs to the portrait of Solor and stretches her arm out to him and
then lets her hands down to her side.
2 bars of 8 counts – Moves to the table beside the portrait and sits down, leaving the veil
on the table top.
2 bars of 6 counts – The servant comes in and announces the arrival of Nikiya and
Gamzatti stands up and tells her to let Nikiya in.
2 bars of 6 counts – As Nikiya walks in, Gamzatti moves to the chair on stage right and
sits down.
4 bars of 6 counts – Nikiya enters and bows to Gamzatti as she motions for Nikiya to
come and sit beside her. Nikiya walks forward and sits down on the
floor next to Gamzatti.
2 bars of 6 counts – Gamzatti uses her finger to push Nikiya’s face to face her and then
looks away bringing her hand to a praying position.
2 bars of 6 counts – Gamzatti takes off a bracelet and attempts to give it to Nikiya but
she rejects the present. Gamzatti then motions her to stand up.
2 bars of 6 counts – She then walks Nikiya forward holding onto her shoulders and then
moves to the middle of the stage and stands a small distance from
Nikiya.
3 bars of 6 counts – Gamzatti opens her arm to emcompass the entire room and then
brings them back to her own heart and then turns Nikiya to face
Solor’s portrait and pushes her in that direction as Nikiya covers
her mouth in shock.
2 bars of 8 counts – Gamzatti walks towards Nikiya and places her hand on Nikiya’s
shoulder and then violently turns her around and pushes her away.
2 bars of 8 counts – Gamzatti runs over to the table where she placed her wedding viel
and then grabs it and walks over to Nikiya and then points to the
portrait of Solor and then places the viel over her heart.
2 bars of 8 counts – Gamzatti throws the viel to the floor and then walks towards Nikiya
who walks backwards in a circle walking away from Gamzatti.
6 bars of 8 counts – Gamzatti points at Nikiya accusingly and Nikiya bows in respect,
then Gamzatti walks away opening her arms around the room and
then brings her hand to her heart. Then she looks at Nikiya and uses
her hand and scans it from Nikiya’s head to toe and then brings it
up as if holding a vase of water. Nikiya turns away and Gamzatti
grabs her and turns her violently so that Nikiya falls on the ground.
6 bars of 8 counts – Nikiya stands up and looks at Gamzatti and then puts out her arm,
palms facing the ground as if saying no and then runs to exit and
points out at the temple and then moves to the middle and lifts arms
up to open fifth over an imaginery fire and then points to Solor’s
portrait and then brings her hands to her heart and then repeats the
same action twice.
3 bars of 8 counts – Gamzatti runs over to Nikiya and grabs her arm as Nikiya moves
away. Gamzatti gets on her knees, begging Nikiya and then pulls
Nikiya down on the floor as they do a turn and Gamzatti slaps her.
4 bars of 8 counts – Nikiya gets up in shock and runs to the exit but Gamzatti stops her.
3 bars of 8 counts – Gamzatti takes off her necklace and offers it to Nikiya but Nikiya
refuses. Gamzatti tires to offer it again but to no avail. She tries
again and Nikiya takes it and throws it to the floor and pulls
Gamzatti away.
3 bars of 8 counts – Nikiya runs to the table on stage left and finds a knife. As Gamzatti
approaches her, Nikiya attempts to stab her, but Gamzatti runs behind
her servant who stops Nikiya.
5 bars of 8 counts – As Gamzatti approaches her, Nikiya backs away and then runs off.
Until end of music – Gamzatti stands in center stage and then brings arms into a fist from
fifth into first as servant falls on her knees.

The curtains fall as the lights on stage dim. The lights in the theatre turn on signaling the first intermission.

Ladies and Gentlemen,
We will now be having a 15 minutes intermission. We would appreciate it if you would return to your seats on time. Thank You.

A bell rings, signaling the end of the intermission. The lights dim as the Orchestra starts to play the overture of the second act and the curtains rise.



Act 2: The Garden in the Rajah’s palace

The Rajah and High Brahmin are seated at the stage, enjoying the festivities during Gamzatti’s betrothal to Solor. The guests first perform a Fan Dance before taking their seat to enjoy the celebrations.

Starting – Comes in from backstage, 6 from right and 6 from left.
1,2,3,4,5,6 – Use outside foot and take one step forward and then followed by 2 small
steps. Repeat.
1,2,3,4,5,6 – Do 6 small chasses forward.
1,2,3,4,5,6 – Use outside foot and take one step forward and then followed by 2 small
steps. Repeat.
1,2,3,4,5,6 – Do 6 small chasses forward finishing in a row.
1,2,3,4,5,6 – 2 balancé en avant moving towards audience.
1,2,3,4,5,6 – Do 6 small chasses forward.
1,2,3,4,5,6 – Do a jump and reverse devéloppé a la second. The dancers with even
numbers move forward first. And then do a balancé en avant.
1,2,3,4,5,6 – Do 2 balancé en avant turning to face other direction.
1,2,3,4,5,6 – Do a jump and reverse devéloppé a la second. And then do a balancé en
avant.
1,2,3,4,5,6 – Do 2 balancé en avant turning to face other direction.
1,2,3,4,5,6 – Do a jump and reverse devéloppé a la second. And then do a balancé en
avant.
1,2,3,4,5,6 – Do 2 balancé en avant turning to face other direction.
1,2,3,4,5,6 – Do 2 balancé de coté moving into new position, male guests moving into
position.



1,2,3,4,5,6 – Do 2 balancé de coté in new position.
1,2,3,4,5,6 – Use outside foot and take one step forward and then followed by 2 small
steps. Repeat moving in a circle.
1,2,3,4,5,6 – Run to complete circle ending in same position.
1,2,3,4,5,6 – Do 2 balancé de coté.
1,2,3,4,5,6 – 2 balancé de coté.
1,2,3 – Hold position in croisé derriére.
1,2,3,4,5,6 – Use outside foot and take one step forward and then followed by 2 small
steps. Repeat moving in a circle.
1,2,3,4,5,6 – Use outside foot and take one step forward and then followed by 2 small
steps. Repeat moving in a circle.
1,2,3,4,5,6 – Use outside foot and take one step forward and then followed by 2 small
steps. Repeat moving in a circle.
1,2,3,4,5,6 – Use outside foot and take one step forward and then followed by 2 small
steps. Repeat moving in a circle.
1,2,3,4,5,6 – 2 balancé de coté.
1,2,3,4,5,6 – 2 balancé de coté.
1,2,3,4,5,6 – 2 balancé de coté.
1,2,3,4,5,6 – 2 balancé de coté.
1,2,3,4,5,6 – Slowly move into 2 rows.
1,2,3,4,5,6 – Continue to new position.



1,2,3,4,5,6 – Do 2 pique en attitude dévant towards other row.
1,2,3,4,5,6 – 1 more pique attitude dévant and then finish in croisé derriére.
1,2,3,4,5,6 – Do 2 pique en attitude dévant moving away from other row.
1,2,3,4,5,6 – 1 more pique attitude dévant and then do a relevé en attitude dévant.
After song ends, move to the back to watch the other performances as guests.

As the guests take their seats, the next performance is a Dance with Parrots as the dancers come out with Parrots perched on their hands.

2 bars of 6 counts – Don’t enter.
1,2,3,4,5,6 – Enter by doing a jump in arabesque followed by a Pas De Chat.
1,2,3,4,5,6 – Continue steps moving into position.
1,2,3,4,5,6 – Continue same steps.
1,2,3,4,5,6 – Continue into new position.



1,2,3,4,5,6 – Do a jump in arabesque looking away from other row of dancers and then
turn and take 2 steps towards other row of dancers.
1,2,3,4,5,6 – Do 2 pique en attitude dévant crossing other row of dancers to other side.
1,2,3,4,5,6 – Do a jump in arabesque looking away from other row of dancers and then
turn and take 2 steps towards other row of dancers.
1,2,3,4,5,6 – Do 2 pique en attitude dévant crossing other row of dancers to other side.
1,2,3,4,5,6 – Do a jump in arabesque looking away from other row of dancers and then
turn and take 2 steps towards other row of dancers.
1,2,3,4,5,6 – Do 2 pique en attitude dévant going closer to other row of dancers but not
crossing them.
1,2,3,4,5,6 – Do 2 balance de coté moving backwards.
1,2,3,4,5,6 – Do another 2 balancé de coté to new position.



1,2,3,4,5,6 – Go around in a circle by jumping in arabesque position.
1,2,3,4,5,6 – Balancé en dédan followed by a pique en attitude dévant.
1,2,3,4,5,6 – Go around in a circle by jumping in arabesque position.
1,2,3,4,5,6 – Balancé en dédan followed by a pique en attitude dévant.
1,2,3,4,5,6 – Go around in a circle by jumping in arabesque position.
1,2,3,4,5,6 – Balancé en dédan followed by a pique en attitude dévant.
1,2,3,4,5,6 – Do 2 balancé de coté moving to new position whereby all are in a row,
dancers in front row, move back to stand on the left of people in back row.
1,2,3,4,5,6 – Do 1 balancé de coté followed by an assemblé dévant.
1,2,3,4,5,6 – Do a relevé en attitude dévant and go into an arabesque.
1,2,3,4,5,6 – Do 6 jeté battu dévant.
1,2,3,4,5,6 – Do a relevé en attitude dévant and go into an arabesque.
1,2,3,4,5,6 – Do 6 jeté battu dévant.
1,2,3,4,5,6 – Do a relevé en attitude dévant and go into an arabesque.
1,2,3,4,5,6 – Do 6 jeté battu dévant.
1,2,3,4,5,6 – 2 balancé de coté backwards.
1,2,3,4,5,6 – 2 balancé de coté backwards.
1,2,3,4,5,6 – Dancers with odd numbers in the row do a pique arabesque back while
even numbers do it towards audience.
1,2,3,4,5,6 – Do 2 pique en attitude dévant around next dancer.
1,2,3,4,5,6 – Dancers with even numbers in the row do a pique arabesque back while
odd numbers do it towards audience.
1,2,3,4,5,6 – Do 2 pique en attitude dévant around next dancer.
1,2,3,4,5,6 – Dancers with odd numbers in the row do a pique arabesque back while
even numbers do it towards audience.
1,2,3,4,5,6 – Do 2 pique en attitude dévant around next dancer.
1,2,3,4,5,6 – Dancers with even numbers in the row do a pique arabesque back while
odd numbers do it towards audience.
1,2,3,4,5,6 – Do 2 pique en attitude dévant around next dancer.
1,2,3,4,5,6 – Do 2 balance en dedan (odds move back and evens to the front)
1,2,3,4,5,6 – Go around in a circle by jumping in arabesque position.
1,2,3,4,5,6 – Do 2 balance en dedan (evens move back and odds to the front)
1,2,3,4,5,6 – Go around in a circle by jumping in arabesque position.
1,2,3,4,5,6 – Do 2 balance en dedan (odds move back and evens to the front)
1,2,3,4,5,6 – Go around in a circle by jumping in arabesque position.
1,2,3,4,5,6 – 2 balancé de coté moving back to row.
1,2,3,4,5,6 – 2 balancé de coté back to row.
1,2,3,4,5,6 – Dancers with odd numbers in the row do a pique arabesque back while
even numbers do it towards audience.
1,2,3,4,5,6 – Do 2 pique en attitude dévant around next dancer.
1,2,3,4,5,6 – Dancers with even numbers in the row do a pique arabesque back while
odd numbers do it towards audience.
1,2,3,4,5,6 – Do 2 pique en attitude dévant around next dancer.
1,2,3,4,5,6 – Dancers with odd numbers in the row do a pique arabesque back while
even numbers do it towards audience.
1,2,3,4,5,6 – Do 2 pique en attitude dévant around next dancer.
1,2,3,4,5,6 – Dancers with even numbers in the row do a pique arabesque back while
odd numbers do it towards audience.
1,2,3,4,5,6 – Do 2 pique en attitude dévant around next dancer.
1,2,3,4,5,6 – Do a relevé en attitude dévant and then relevé en devéloppé dévant.
1,2,3,4,5,6 – Move forward by jumping in arabesque position.
1,2,3,4,5,6 – Do a relevé en attitude dévant and then relevé en devéloppé dévant.
1,2,3,4,5,6 – Move forward by jumping in arabesque position.
1,2,3,4,5,6 – Do a relevé en attitude dévant and then relevé en devéloppé dévant.
1,2,3,4,5,6 – Move forward by jumping in arabesque position.
1,2,3,4,5,6 – Do a relevé en attitude dévant and then relevé en devéloppé dévant and then
shift to a la second followed by a pas de bourreé and finish in croisé dévant.

After this, a group of 4 dancers dance together in a Pas De Quatre.

First two dancers (Puss_in_boots and darling_dancer) come out from right and left respectively and start with legs in croisé dévant.
1,2,3,4,5,6,7,8 – Do a chasse forward followed by a petite devéloppé. Repeat.
1,2,3,4,5,6,7,8 – Do a chasse forward into 4 petite jeté and then a petite devéloppé.
1,2,3,4,5,6,7,8 – Do a chasse forward followed by a petite devéloppé. Repeat.
1,2,3,4,5,6,7,8 – Do a chasse forward into 3 petite jeté and on last one stretch back leg
into arabesque.
1,2,3,4,5,6,7,8 – Do a pirouette en attitude derriére and then do twojumps back on fifth
sur les pointe in demi-plié followed by a jump in arabesque.
1,2,3,4,5,6,7,8 – Do a pirouette en attitude derriére and then do twojumps back on fifth
sur les pointe in demi-plié followed by a jump in arabesque.
1,2,3,4,5,6,7,8 – Do a pirouette en attitude derriére into a pique and then bring legs down
to relevé to fifth. At the same time next two dancers appear.
1,2,3,4,5,6,7,8 – Do two pique followed by chaines finishing in éffacé derriére.
1,2,3,4,5,6,7,8 – The next two dancers do chasse forward followed by a petite devéloppé
into a chasse and then Cabriole derriére.
1,2,3,4,5,6,7,8 – Do a chasse forward followed by a petite devéloppé
into a chasse and then Cabriole derriére.
1,2,3,4,5,6,7,8 – Do a chasse forward followed by a petite devéloppé
into a chasse and then Cabriole derriére.
1,2,3,4,5,6,7,8 – Do two pique en attitude dévant around each other and then finish beside
each other facing the audience.
1,2,3,4,5,6,7,8 – Pique to fifth sur les pointe twice followed by a pique arabesque into
fifth.
1,2,3,4,5,6,7,8 – Pique to fifth sur les pointe twice followed by a pique arabesque into
fifth.
1,2,3,4,5,6,7,8 – Pique to fifth sur les pointe twice followed by a pique arabesque into
a jump in arabesque and then run.
1,2,3,4,5,6,7,8 – Run to new position with other dancers.



1,2,3,4,5,6,7,8 – Do a battement tendu a la second followed by 6 pique backwards and a
small jump in arabesque.
1,2,3,4,5,6,7,8 – Do a pas de bourreé followed by another jump in arabesque and 3 piques
1,2,3,4,5,6,7,8 – Do a battement tendu a la second followed by 6 pique backwards and a
small jump in arabesque.
1,2,3,4,5,6,7,8 – Do a pas de bourreé followed by a relevé in arabesque.
1,2,3,4,5,6,7,8 – Do 4 single pirouettes followed by a pas de chat finishing in croisé
derriére.

After which, there is a small comedic dance of a ‘Manou’ trying to balance a water jug on top of her head, with her 2 helpers trying to make her drop it.

Start in éffacé derriére, right hand holding vase on head and other hand holding skirt.
1,2,3,4,5,6,7,8 – Take 3 steps forward followed by a chasse.
1,2,3,4,5,6,7,8 – Pique arabesque on right leg followed by a chasse and then pique
arabesque on left leg followed by a chasse.
1,2,3,4,5,6,7,8 – Pique arabesque on right leg followed by a chasse and then pique
arabesque on left leg followed by a chasse.
1,2,3,4,5,6,7,8 – Pique arabesque on right leg followed by a chasse and then pique
arabesque on left leg followed by a chasse.
1,2,3,4,5,6,7,8 – Pique arabesque on right leg followed by a chasse and then pique
arabesque on left leg followed by a chasse.
1,2,3,4,5,6,7,8 – Couru forward, hands releasing the vase and trying to balance it on head,
then finishing in croisé derriére, right hand holding vase.
1,2,3,4,5,6,7,8 – Step back on right leg, going into retiré sur les pointe and repeat on other
leg. Repeat on right leg again, going in Pas de Bourreé pique.
1,2,3,4,5,6,7,8 – 2 pique en retiré forward followed by a pique to cou-le-pied position and
do a quarter turn to croisé dévant then bring up to fifth sur les pointe.
1,2,3,4,5,6,7,8 – Couru backwards, hands not holding onto vase, trying to balance it then
finish with legs in croisé derriére, left hand holding onto vase.
1,2,3,4,5,6,7,8 – 2 pique en retiré forward followed by a pique to cou-le-pied position and
do a quarter turn to croisé dévant then bring up to fifth sur les pointe.
1,2,3,4,5,6,7,8 – Couru backwards, hands not holding onto vase, trying to balance it then
finish with legs in croisé derriére, left hand holding onto vase.
1,2,3,4,5,6,7,8 – 2 pique en retiré forward followed by a pique to cou-le-pied position and
do a quarter turn to croisé dévant then bring up to fifth sur les pointe.
1,2,3,4,5,6,7,8 – Couru backwards, hands not holding onto vase, trying to balance it then
finish with legs in croisé derriére, left hand holding onto vase.
1,2,3,4,5,6,7,8 – Petite devéloppé in a 2 chasses sur les pointe. Repeat this four times
going around in a small circle to face audience.
1,2,3,4,5,6,7,8 – Couru forward with both hands on vase, then go down to first before
repeating.
1,2,3,4,5,6,7,8 – Couru forward with both hands not touching vase, balancing it and then
finish with legs in croisé derriére.
1,2,3,4,5,6,7,8 – Petite devéloppé in a 2 chasses sur les pointe. Repeat this four times
going around in a small circle to face audience.
1,2,3,4,5,6,7,8 – 2 Pique to fifth sur les pointe hands releasing vase when in fifth.
1,2,3,4,5,6,7,8 – Couru to left, balancing vase with hands off. Two helpers enter of right
and left on last count, going into croisé derriére.
1,2,3,4,5,6,7,8 – Helper on left (DancePrincess827) puts hand on heart and stretches it out
and repeats putting it on forehead instead.
1,2,3,4,5,6,7,8 – Manou Dancer shakes hand at helper and then runs

After the dance finishes, the Pas De Quatre dancers start a dance to announce the entrance of Solor and Gamzatti who perform an adagio. However, there does not seem to be any chemistry between the two as Solor does not love Gamzatti.

First two Pas De Quatre dancers (dancin_babe34 and darling_dancer) come out and start with legs in croisé derriére.
1,2,3,4,5,6,7,8 – Wait and then move hands from first to fourth.
1,2,3,4,5,6,7,8 – Jump in arabesque position followed by a chasse and then repeat.
1,2,3,4,5,6,7,8 – Jump in arabesque position followed by a chasse and a petite jeté
followed by a relevé devéloppé a la second.
1,2,3,4,5,6,7,8 – In the opposite direction, jump in arabesque position followed by a
chasse and then repeat.
1,2,3,4,5,6,7,8 – Jump in arabesque position followed by a chasse and a petite jeté
followed by a relevé devéloppé a la second.
1,2,3,4,5,6,7,8 – Do a jeté entrelacé followed by a relevé devéloppé a la second.
1,2,3,4,5,6,7,8 – Do a jeté entrelacé followed by a relevé devéloppé a la second.
1,2,3,4,5,6,7,8 – Do a relevé en arabesque to left followed by a glissade then repeat to
right and then relevé in fifth.
1,2,3,4,5,6,7,8 – Do 2 pique pirouettes followed by chaines, landing in éffacé derriére.
Next two dancers come in and then start with legs in éffacé dévant.
1,2,3,4,5,6,7,8 – Step forward on front foot followed by a jump in retiré position and
then into a jump in arabesque position. Do a chasse into a grand jeté in
attitude.
1,2,3,4,5,6,7,8 – Step forward on front foot followed by a jump in retiré position and
then into a jump in arabesque position. Do a chasse into a grand jeté in
attitude.
1,2,3,4,5,6,7,8 – Step forward on front foot followed by a jump in retiré position and
then into a jump in arabesque position followed by a relevé in fifth.
1,2,3,4,5,6,7,8 – Run to the other side of stage and do a pique arabesque with left foot.
1,2,3,4,5,6,7,8 – Do a jeté entrelacé followed by a relevé devéloppé a la second.
1,2,3,4,5,6,7,8 – Do a jeté entrelacé followed by a relevé devéloppé a la second.
1,2,3,4,5,6,7,8 – Do a relevé en arabesque to left followed by a glissade then repeat to
right and then relevé in fifth.
1,2,3,4,5,6,7,8 – Other two dancers come to the middle to join them in a straight row.
1,2,3,4,5,6,7,8 – Entrelacé quatre landing in cou-le-pied position followed by a reversed
devéloppé dévant sur les pointe into fifth and then a single pirouette.
1,2,3,4,5,6,7,8 – Entrelacé quatre landing in cou-le-pied position followed by a reversed
devéloppé dévant sur les pointe into fifth and then a single pirouette.
1,2,3,4,5,6,7,8 – Entrelacé quatre landing in cou-le-pied position followed by a reversed
devéloppé dévant sur les pointe into fifth and then a single pirouette.
1,2,3,4,5,6,7,8 – Take 3 steps back and put legs in éffacé dévant.
1,2,3,4,5,6,7,8 – Pas de chat followed by grand jeté to right and then retiré pas battu twice
and after second beat, stretch into arabesque.
1,2,3,4,5,6,7,8 – Pas de chat followed by grand jeté to right and then retiré pas battu twice
and after second beat, stretch into arabesque.
1,2,3,4,5,6,7,8 – Pas de chat followed by grand jeté to right and then retiré pas battu twice
and after second beat, stretch into arabesque.
1,2,3,4,5,6,7,8 – Walk to middle and land with legs in éffacé derriére.
1,2,3,4,5,6,7,8 – Do a relevé en arabesque to left followed by a chasse then repeat to
right followed by a chasse.
1,2,3,4,5,6,7,8 – Do a relevé en arabesque to left followed by a chasse then repeat to
right followed by a chasse.
1,2,3,4,5,6,7,8 – Do a relevé en arabesque to left followed by a chasse then repeat to
right followed by a chasse.
1,2,3,4,5,6,7,8 – Walk around in a small circle and land in croisé dévant.
1,2,3,4,5,6,7,8 – Jeté forward followed by an assemblé into a relevé en attitude.
1,2,3,4,5,6,7,8 – Jeté forward followed by an assemblé into a relevé en attitude.
1,2,3,4,5,6,7,8 – Glissade followed by a jeté, relevé into retiré position into fifth.
1,2,3,4,5,6,7,8 – Do 3 pique pirouettes finishing in éffacé derriére as Solor and Gamzatti
enter and start in fifth sure les pointe / demi-pointe.
1,2,3,4,5,6,7,8 – Chasse 2 times into a jeté entrelacé.
1,2,3,4,5,6,7,8 – Do another jeté entrelacé and then relevé in fifth and wait.
1,2,3,4,5,6,7,8 – In other direction, chasse 2 times into a jeté entrelacé.
1,2,3,4,5,6,7,8 – Do another jeté entrelacé and then relevé in fifth and wait.
1,2,3,4,5,6,7,8 – Both do a chasse into a grand jeté and then Gamzatti does and assemblé
and relevé in fifth as Solor stands in fifth.
1,2,3,4,5,6,7,8 – Gamzatti does a pique pirouette and then does another one in a triple
pirouette, Solor supporting her and then ending in attitude derriére.
1,2,3,4,5,6,7,8 – With Solor holding Gamzatti’s hand, she does a jump in arabesque and
the Solor lifts her in a jeté position and then lands her facing audience.
1,2,3,4,5,6,7,8 – Gamzatti moves to right as both go into croisé dévant.
1,2,3,4,5,6,7,8 – Both of them do a small jeté into a Grand jeté and then into a relevé en
attitude derriére.
1,2,3,4,5,6,7,8 – Both of them do a small jeté into a Grand jeté and then into a relevé en
attitude derriére in the opposite direction.
1,2,3,4,5,6,7,8 – Both of them do a small jeté into a Grand jeté and then do an assemblé
into a relevé in fifth.
1,2,3,4,5,6,7,8 – Gamzatti does 2 pique pirouettes and on third one does a quatre
pirouette, Solor supporting her and ending in attitude dévant.
As Gamzatti and Solor do last pose, Pas De Quatre dancers come to the
middle in a row legs in éffacé derriére. As the Pas De Quatre dancers
dance, Gamzatti and Solor walk to back.
1,2,3,4,5,6,7,8 – Jeté entrélace followed by 2 quick steps forwards and then pique retiré.
1,2,3,4,5,6,7,8 – 2 Pas de chats.
1,2,3,4,5,6,7,8 – Devéloppé dévant followed by 4 quick jumps in arabesque position
moving backwards and then relevé in rabesque position into fifth.
1,2,3,4,5,6,7,8 – Couru in a circle and finish in éffacé dévant.
1,2,3,4,5,6,7,8 – Glissade to the side and then do a cabriole a la second followed by a
soutenu into an arabesque.
1,2,3,4,5,6,7,8 - Glissade to the side and then do a cabriole a la second followed by a
soutenu into coupe position.
1,2,3,4,5,6,7,8 – 4 petite jeté.
1,2,3,4,5,6,7,8 – Run to the back and stay in position. On last two beats, Gamzatti and
Solor relevé in fifth.
1,2,3,4,5,6,7,8 – 2 Grand jetés towards the audience holding hands.
1,2,3,4,5,6,7,8 – 1 more Grand jeté followed by a relevé en attitude derriére.
1,2,3,4,5,6,7,8 – 2 jeté entrélace.
1,2,3,4,5,6,7,8 – Gamzatti does a soutenu into croisé dévant then couru to the side.
1,2,3,4,5,6,7,8 – Do 2 pique to the right then couru to the left.
1,2,3,4,5,6,7,8 – 2 pique to left and then couru to middle.
1,2,3,4,5,6,7,8 – Couru forward.
1,2,3,4,5,6,7,8 – Couru forward.
1,2,3,4,5,6,7,8 – Do 6 supported pirouettes and finish with Solor supporting her
in attitude dévant. Music Ends.
1,2,3,4,5,6 – Gamzatti rises in fifth and waits.
1,2,3,4,5,6 – Solor stretches out hand for her and she steps over to hold it.
1,2,3,4,5,6 – Holding Solor’s hand, Gamzatti does a pique arabesque.
1,2,3,4,5,6 – Solor promenades her walking around in a circle.
1,2,3,4,5,6 – Continues to promenade until they do a complete circle.
1,2,3,4,5,6 – Gamzatti lowers herself into a pencheé.
1,2,3,4,5,6 – Solor walks to hold Gamzatti’s waist from behind her as she bring her leg
down through retiré into devéloppé dévant.
1,2,3,4,5,6 – Gamzatti brings right leg into cou-le-pied position then pliés as Solor lifts
straight up and she does a devéloppé dévant.
1,2,3,4,5,6 – Solor brings her down and she courus forward.
1,2,3,4,5,6 – Gamzatti does a pique arabesque.
1,2,3,4,5,6 – She then turns around and takes 2 steps forward and then Solor lifts her up
into a presage lift.
1,2,3,4,5,6 – Solor turns around and walks away from audience.
1,2,3,4,5,6 – Gamzatti bring leg down into arabesque position as Solor brings her down.
1,2,3,4,5,6 – Solor puts Gamzatti down and they go into relevé in fifth, next to each other
but facing opposite directions, with arms around each other’s waists.
1,2,3,4,5,6 – Wait in position.
1,2,3,4,5,6 – Both chaines away from each other, Gamzatti towards audience.
1,2,3,4,5,6 – Both turn to face each other in fifth position sur les pointe.
1,2,3,4,5,6 – Run to each other and get into position where they are next to each other
but facing opposite directions, with arms around each other’s waists.
1,2,3,4,5,6 – They both go around in a circle by doing couru and then bringing leg to
cou-le-pied position.
1,2,3,4,5,6 – Repeat.
1,2,3,4,5,6 – Gamzatti does a relevé en arabesque and then goes into a double supported
pirouette and finishes in attitude dévant.
1,2,3,4,5,6 – They both go around in a circle by doing couru and then bringing leg to
cou-le-pied position.
1,2,3,4,5,6 – Repeat.
1,2,3,4,5,6 – Gamzatti does a relevé en arabesque and then goes into a double supported
pirouette and finishes in attitude dévant.
1,2,3,4,5,6 – Gamzatti walks away from Solor.
1,2,3,4,5,6 – Goes into croisé derriére.
1,2,3,4,5,6 – Solor walks in other direction.
1,2,3,4,5,6 – Continues walking.
1,2,3,4,5,6 – Gamzatti runs over in front of him, holding both his hands.
1,2,3,4,5,6 – She does a Rond de jambe en l’air sure les pointe ending in a pencheé.
1,2,3,4,5,6 – Solor promenades her in a circle.
1,2,3,4,5,6 – Goes into a lower pencheé and then comes up bring legs into retiré position
as Solor turns her around to face him.
1,2,3,4,5,6 – Solor walks backwards as Gamzatti courus forward.
1,2,3,4,5,6 – Repeat.
1,2,3,4,5,6 – Gamzatti courus backwards and Solor walks forward, holding her hand.
1,2,3,4,5,6 – Repeat.
1,2,3,4,5,6 – She does a pique pirouette into an arabesque, Solor supporting her.
1,2,3,4,5,6 – Hold position.
1,2,3,4,5,6 – Gamzatti runs forward and Solor lifts her into a supported Grand jeté.
1,2,3,4,5,6 – Gamzatti does a relevé en arabesque.
1,2,3,4,5,6 – Gamzatti runs in opposite direction and Solor lifts her into a supported
Grand jeté.
1,2,3,4,5,6 – Gamzatti does a relevé en arabesque.
1,2,3,4,5,6 – Solor holds her around the waist and promenades her in arabesque position.
1,2,3,4,5,6 – Gamzatti goes into attitude derriére and Solor quarter turns her.
1,2,3,4,5,6 – Gamzatti does a single chaines away from Solor and runs to back.
1,2,3,4,5,6 – Continues to run to back where there are two male dancers and stands
between them.
1,2,3,4,5,6 – They hold each of her arm as she runs forward.
1,2,3,4,5,6 – She jumps into a grand jeté supported by them.
1,2,3,4,5,6 – She does a relevé en arabesque .
1,2,3,4,5,6 – Hold position then brings leg down into fifth sur les pointe.
1,2,3,4,5,6 – Courus in a circle.
1,2,3,4,5,6 – Walks back to Solor.
1,2,3,4,5,6 – Does a pique attitude derriére holding both of Solor’s hands.
1,2,3,4,5,6 – Solor promenades her.
1,2,3,4,5,6 – Continues promenade.
1,2,3,4,5,6 – Finishes promenade and holds in position.
1,2,3,4,5,6 – Twists her to the right and then left
1,2,3,4,5,6 – Turns her into 6 pirouettes and end in arabesque.
1,2,3,4,5,6 – Hold position and Gamzatti brings legs down to fifth.
1,2,3,4,5,6 – Both walk to the front and then relevé in fifth.
1,2,3,4,5,6 – Gamzatti does a finger turn and then relevé en arabesque.
1,2,3,4,5,6 – Takes 2 steps into a finger attitude turn.
1,2,3,4,5,6 – She then walks around until she and solor are facing each other, his back to
the audience.
1,2,3,4,5,6 – Both chaines away from each other, Solor towards audience.
1,2,3,4,5,6 – Gamzatti courus on the spot.
1,2,3,4,5,6 – Continues to couru on the spot as the two male dancers approach her.
1,2,3,4,5,6 – With legs in fifth position, male dancers lift Gamzatti up like that.
1,2,3,4,5,6 – Walk forward holding her.
1,2,3,4,5,6 – Continue to walk forward.
1,2,3,4,5,6 – They bring her down, Solor behind her to support her.
1,2,3,4,5,6 – Gamzatti courus forward, Solor behind her.
Until end of music – They do 6 supported pirouettes finishing with Solor supporting her
in attitude dévant.

After Gamzatti and Solor have finished, the Pas De Quatre again performs a small dance.



All start in croisé derriére with right foot forward.
1,2,3,4 – Wait.
1,2,3,4,5,6,7,8 – Do 2 Entrechat quatre one after the other followed by left leg doing
battement tendu a la second then into a relevé in attitude dévant.
1,2,3,4,5,6,7,8 – Do 2 Entrechat quatre one after the other followed by right leg doing
battement tendu a la second then into a relevé in attitude dévant.
1,2,3,4,5,6,7,8 – Couru to back stage right and then couru towards back stage left.
1,2,3,4,5,6,7,8 – Run forward into original position.
1,2,3,4,5,6,7,8 – Do 2 Entrechat quatre one after the other followed by left leg doing
battement tendu a la second then into a relevé in attitude dévant.
1,2,3,4,5,6,7,8 – Do 2 Entrechat quatre one after the other followed by right leg doing
battement tendu a la second then into a relevé in attitude dévant.
1,2,3,4,5,6,7,8 – Couru to back stage right and then couru towards back stage left.
1,2,3,4,5,6,7,8 – Run into new position.



1,2,3,4,5,6,7,8 – Do a jump in arabesque position followed by a gallop facing back and
then into pirouette en attitude finishing in fifth sur les pointe.
1,2,3,4,5,6,7,8 – Do a jump in arabesque position followed by a gallop facing back and
then into pirouette en attitude finishing in fifth sur les pointe.
1,2,3,4,5,6,7,8 – Do a jump in arabesque position followed by a gallop facing back and
then into pirouette en attitude finishing in fifth sur les pointe.
1,2,3,4,5,6,7,8 – Feet into retiré position and then walk to new position.



1,2,3,4,5,6,7,8 – Entrechat Quatre into cou-le-pied position followed by Pas de bourreé
and then relevé into fifth.
1,2,3,4,5,6,7,8 – Entrechat Quatre into cou-le-pied position followed by Pas de bourreé
and then relevé into fifth.
1,2,3,4,5,6,7,8 – Entrechat Quatre and then couru towards original position followed by
an assemblé.
1,2,3,4,5,6,7,8 – Do 3 pique pirouettes and then relevé into fifth.

After this, Solor enters and performs a small variation.

1,2,3,4,5,6 – Legs in croisé dévant. Step on left foot into a half pirouette en attitude
followed by 2 steps forward.
1,2,3,4,5,6 – 1 more step forward followed by a Grand Assemblé derriére with Battu.
1,2,3,4,5,6 – Take 3 steps forward and then do a Grand Jeté.
1,2,3,4,5,6 – 1 more step forward followed by a Grand Assemblé derriére with Battu.
1,2,3,4,5,6 – Take 3 steps forward and then do a Grand Jeté.
1,2,3,4,5,6 – 1 more step forward followed by a Grand Assemblé derriére with Battu.
1,2,3,4,5,6 – Take 3 steps forward and then do a Grand Jeté.
1,2,3,4,5,6 – Take 3 steps forward and then do a Grand Jeté landing in croisé derriére.
1,2,3,4,5,6 – Do a pas de bourreé finishing in efface derriére.
1,2,3,4,5,6 – 2 balancé de coté towards back stage right then back stage left.
1,2,3,4,5,6 – Jeté Entrélacé.
1,2,3,4,5,6 – Do a double pirouette into an arabesque.
1,2,3,4,5,6 – Repeat.
1,2,3,4,5,6 – Single pirouette a la second then fouette in triple pirouette.
1,2,3,4,5,6 – Do a soutenu into fifth.
1,2,3,4,5,6 – Run to stage right, legs ending in efface derriére.
1,2,3,4,5,6 – Step back on back leg, doing a turn in 2 steps into a grand jeté (x2).
1,2,3,4,5,6 – Step back on back leg, doing a turn in 2 steps into a Tour en l’air in attitude
position.
1,2,3,4,5,6 – Step back on back leg, doing a turn in 2 steps into a grand jeté (x2).
1,2,3,4,5,6 – Step back on back leg, doing a turn in 2 steps into a grand jeté (x2).
1,2,3,4,5,6 – Step back on back leg, doing a turn in 2 steps into a Tour en l’air in attitude
position.
1,2,3,4,5,6 – Step back on back leg, doing a turn in 2 steps into a grand jeté (x2).
1,2,3,4,5,6 – Step back on back leg, doing a turn in 2 steps into a Tour en l’air in attitude
position.
1,2,3,4,5,6 – Step back on back leg, doing a turn in 2 steps into a grand jeté (x2).
1,2,3,4,5,6 – Do a double tour en l’air first in normal position then up into retiré position
finishing in a kneel position with left foot up.

Gamzatti then enters to dance her variation.

Start with legs in croisé dévant.
1,2,3 – Wait.
1,2,3 – Glissade.
1,2,3 – Cabriole dévant.
1,2,3 – Chassé forward.
1,2,3 – Grand Jeté.
1,2,3 – Retire sur les pointe and bring down to fifth.
1,2,3 – Retire sur les pointe and bring down to fifth.
1,2,3 – Retire sur les pointe and bring down to fifth.
1,2,3 – Retire sur les pointe and stretch into devéloppé.
1,2,3 – Hold.
1,2,3 – Chassé forward.
1,2,3 – Cabriole dévant.
1,2,3 – Chassé forward.
1,2,3 – Grand Jeté.
1,2,3 – Relevé in fifth.
1,2,3 – Step down into Éffacé derriére.
1,2,3,4,5,6 – Wait.
1,2,3,4,5,6 – Balancé en tournant.
1,2,3,4,5,6 – Pirouette en attitude, landing in arabesque.
1,2,3,4,5,6 – Balancé en tournant.
1,2,3,4,5,6 – Pirouette en attitude, landing in arabesque.
1,2,3,4,5,6 – Balancé en tournant.
1,2,3,4,5,6 – Double pirouette.
1,2,3 – Soutenu to fifth sur les pointe.
1,2,3 – Run forward.
1,2,3 – Run forward.
1,2,3 – Run forward, legs finishing in croisé dévant.
1,2,3 – Pique pirouette, slowly bringing leg down through Cou-de-pied into fifth.
1,2,3 – Lift the other foot up to complete another pirouette.
1,2,3 – Finish pirouette in fifth, then turn body to finish in croisé dévant.
1,2,3,4,5,6 – Couru in a big circle.
1,2,3 – Pique pirouette, slowly bringing leg down through Cou-de-pied into fifth.
1,2,3 – Lift the other foot up to complete another pirouette.
1,2,3 – Finish pirouette in fifth, then turn body to finish in croisé dévant.
1,2,3,4,5,6 – Couru in a big circle.
1,2,3 – Pique pirouette, slowly bringing leg down through Cou-de-pied into fifth.
1,2,3 – Lift the other foot up to complete another pirouette.
1,2,3 – Relevé into fifth.
1,2,3,4,5,6 – Run to original position.
1,2,3,4,5,6 – Continue running, legs finish in croisé derriére.
1,2,3 – Cabriole dévant.
1,2,3 – Retiré into devéloppé a la second.
1,2,3 – Relevé in arabesque.
1,2,3 – 3 jeté battu in retire position sur led pointe.
1,2,3 – Retiré into devéloppé a la second.
1,2,3 – Relevé in arabesque.
1,2,3 – 3 jeté battu in retire position sur led pointe.
1,2,3 – Retiré into devéloppé dévant.
1,2,3 – Relevé in arabesque.
1,2,3 – Lower to fifth, then do an Assemblé.
1,2,3 – Relevé in fifth.
1,2,3 – Pique into a double pirouette.
1,2,3 – Pique into a double pirouette.
1,2,3 – Pique into a double pirouette.
1,2,3 – Relevé in fifth.

After this, the Guests and other dancers enter for the finale of the adagio.



Basic Moves: Balancé de coté. As groups move forward to do steps, all other
Couples continue doing this in their place.
1,2,3,4,5,6 – A does 2 pique to the middle, towards each other.
1,2,3,4,5,6 – Take 2 side steps into a Grand Assemblé.
1,2,3,4,5,6 – Do 2 pique attitude dévant to opposite side. As A does that, B
does 2 pique to the middle, towards each other.
1,2,3,4,5,6 – A does 2 side steps into a jeté to original position as B does 2 side steps into
a Grand Assemblé.
1,2,3,4,5,6 – B does 2 pique attitude dévant to opposite side. As B does that, A C
does 2 pique to the middle, towards each other.
1,2,3,4,5,6 - B does 2 side steps into a jeté to original position as A C does 2 side steps
into a Grand Assemblé.
1,2,3,4,5,6 – A C does 2 pique attitude dévant to opposite side. As A C does that, B D
does 2 pique to the middle, towards each other.
1,2,3,4,5,6 – A C does 2 side steps into a jeté to original position as B D does 2 side steps
into a Grand Assemblé.
1,2,3,4,5,6 – B D does 2 pique attitude dévant to opposite side. As B D does that, A C E
does 2 pique to the middle, towards each other.
1,2,3,4,5,6 – B D does 2 side steps into a jeté to original position as A C E does 2 side
steps into a Grand Assemblé.
1,2,3,4,5,6 – A C E does 2 pique attitude dévant to opposite side. As A C E does that,
B D F does 2 pique to the middle, towards each other.
1,2,3,4,5,6 – A C F does 2 side steps into a jeté to original position as B D F does 2 side
steps into a Grand Assemblé.
1,2,3,4,5,6 – A C F does 2 pique to the middle, towards each other as B D F does 2 pique
attitude dévant to opposite side.
1,2,3,4,5,6 – B D F does 2 side steps into a jeté to original position as A C E does 2 side
steps into a Grand Assemblé.
1,2,3,4,5,6 – Balancé de coté into new position
1,2,3,4,5,6 – Balancé de coté into new position



1,2,3,4,5,6 – All dancers go into éffacé derriére then do a pique développé dévant.
1,2,3,4,5,6 – Do 6 quick grand battement.
1,2,3,4,5,6 – All dancers go into éffacé derriére then do a pique développé dévant.
1,2,3,4,5,6 – Do 6 quick grand battement.
1,2,3,4,5,6 – All dancers go into éffacé derriére then do a pique développé dévant.
1,2,3,4,5,6 – Do 6 quick grand battement.
1,2,3,4,5,6 – 2 Balancé de coté.
1,2,3,4,5,6 – 1 Balancé de coté followed by relevé into demi-plié in fifth.
1,2,3,4,5,6 – Do a single pirouette into a balance de coté.
1,2,3,4,5,6 – 1 Balancé de coté followed by relevé into demi-plié in fifth.
1,2,3,4,5,6 – Do a single pirouette into a balance de coté.
1,2,3,4,5,6 – 1 Balancé de coté followed by relevé into demi-plié in fifth.
1,2,3,4,5,6 – Do a single pirouette into a balance de coté.
1,2,3,4,5,6 – 1 Balancé de coté followed by relevé into demi-plié in fifth.
1,2,3,4,5,6 – Do a single pirouette into a balance de coté.
1,2,3,4,5,6 – 1 Balancé de coté followed by relevé into demi-plié in fifth.
1,2,3,4,5,6 – Do a single pirouette into a balance de coté.
1,2,3,4,5,6 – Balancé de coté. At the same time, Gamzatti and Pas De Quatre dancers
enter to get into their positions.
1,2,3,4,5,6 – Balancé de coté.
1,2,3,4,5,6 – Balancé de coté into position.



Throughout Gamzatti’s variation, the other dancers continue doing balance de coté.
5 bars of 6 counts – Gamzatti does 10 fouettes into attitude pirouettes.
1,2,3,4,5,6 – Fouette into attitude pirouette and then do a double pirouette
1,2,3,4,5,6 – Relevé in fifth and couru on the spot.
Until end of the music, Gamzatti does 20 fouettes and then does a triple pirouette to finish in croise derriére weight leaning on front foot.

At the end of the adagio, Solor, Gamzatti and the Rajah take a seat. Nikiya is summoned to dance for the couple. Even though Nikiya is veiled, Solor recognizes her and if overcomes with guilt. Gamzatti orders a basket of flowers to be give to Nikiya which contains a poisonous snake.

Start facing stage right, left leg extended back and body bent back with left hand over heart and right hand over head which is bent back.
1,2,3 – Bring head up and hands down slowly looking around.
1,2,3,4,5,6 – Turn around stepping on left leg then doing a quick Rond de jambe to face
stage left and bring right foot over left foot. Do a circular port de bra
finishing halfway letting one hand down and the other on forehead.
1,2,3,4,5,6 – Step up into fifth position sur les pointe hands in a praying position above
head then step down on right leg and kneel all the way down until back leg
is totally straight, hands becoming a straight line palms facing down.
1,2,3,4,5,6 – Straighten the right leg and then do a rond de jambe to face stage right and
bring left foot over right. Do a circular port de bra finishing halfway letting
one hand down and the other on forehead.
1,2,3,4,5,6 – Step up into fifth position sur les pointe hands in a praying position above
head then step down on right leg and kneel all the way down until back leg
is totally straight, hands becoming a straight line palms facing down.
1,2,3,4,5,6 – Turn around stepping on left leg then doing a quick Rond de jambe to face
stage left and bring right foot over left foot. Do a circular port de bra
finishing halfway letting one hand down and the other on forehead.
1,2,3,4,5,6 – Step up into fifth position sur les pointe hands in a praying position above
head then step down on right leg and kneel all the way down until back leg
is totally straight, hands becoming a straight line palms facing down.
1,2,3,4,5,6 – Straighten right knee and then take a step to fifth position sur les pointe with
left foot then step forward with right foot into fifth sur les pointe.
1,2,3,4,5,6 – Hold position and port de bra left hand to fifth and then extending it to Solor
before doing courus in his direction.
1,2,3 – Continue to couru.
1,2,3,4,5,6 – Lift right leg into arabesque and then go into a jeté entrélace and when land
go straight into a kneeling position with right foot forward and then bring
right foot straight back bending left leg all the way down and then up again,
putting left arm on heart and right arm stretched in fifth, back bending back.
1,2,3,4,5,6 – Hold position then come up while doing a circular port de bras.
1,2,3,4,5,6 – Lift right leg into arabesque and then go into a jeté entrélace and when land
go straight into a kneeling position with right foot forward and then bring
right foot straight back bending left leg all the way down and then up again,
putting left arm on heart and right arm stretched in fifth, back bending back.
1,2,3,4,5,6 – Hold position then come up while doing a circular port de bras.
1,2,3,4,5,6 – Lift right leg into arabesque and then go into a jeté entrélace and when land
go straight into a kneeling position with right foot forward and then bring
right foot straight back bending left leg all the way down and then up again,
bring arms into a praying position, back bending back.
1,2,3,4,5,6 – Bring back straight up, hands still in praying position then sink to the floor,
head bowing down then slowly coming up.
1,2,3,4,5,6 – Step up on left foot, turning to face Solor and then relevé in fifth then go
down followed by a petite devéloppé with left leg, stepping up into fifth.
1,2,3,4,5,6 – Couru to the side, arms swaying from first to second and then take two steps
and face stage left, with right leg derriére.
1,2,3,4,5,6 – Couru diagonally down stage right followed by a souténu into fifth sur les
pointe, hand in a praying position over head.
1,2,3,4,5,6 – Go down and then devéloppé into a pencheé.
1,2,3,4,5,6 – Couru diagonally down stage right followed by a souténu into fifth sur les
pointe, hand in a praying position over head.
1,2,3,4,5,6 – Go down and then devéloppé into a pencheé.
1,2,3,4,5,6 – Lower from pencheé and then run towards Solor and stretch out arm to him
with right leg derriére.
1,2,3,4,5,6 – Couru in a turn, back bending, going down and then relevé to fifth both
arms stretching out to Solor.
1,2,3,4,5,6 – Continue to hold position and slowly souténu so back is to Solor.
1,2,3,4,5,6 – Couru backwards in Solor’s direction and then slowly turn around. As
Nikiya turns around, she sees Gamzatti take Solor’s hand.
4 bars of 6 counts – Nikiya walks back and then runs to the back where the servant hands
basket of flowers, claiming its from Solor.
1,2,3,4,5,6 – Stretch out the basket towards Solor, right leg derriére.
1,2,3,4 – Take 2 steps forward and then lower into a pencheé.
1,2,3,4 – Get up from pencheé and then transfer weight into croisé dévant doing a circular
port de bras to bring basket above head.
1,2,3,4 – Take 2 steps forward and then lower into a pencheé.
1,2,3,4 – Hold pencheé and then come down and run towards Solor.
1,2,3,4 – Couru away from Solor.
1,2,3,4 – Continue to couru and then go around in 2 circles holding basket out.
1,2 – Back down to éffacé derriére.
1,2,3,4 – Step up on right leg into arabesque and then step down on left leg with right leg
derriére, body turning to face Solor.
1,2,3,4,5,6 – Run to center at the back of the stage and land in croisé derriére.
1,2,3,4,5,6,7,8 – Pique on right leg to retiré position and then bring down and couru then
repeat with other foot. (x2)
1,2,3,4,5,6,7,8 – With legs in arabesque quickly promenade in a circle and then bring leg
down to do a souténu on flat foot.
1,2,3,4,5,6,7,8 – Pique on right leg to retiré position and then bring down and couru then
repeat with other foot. (x2)
1,2,3,4,5,6,7,8 – Change leg continuously from attitude dévant with right leg up to left.
1,2,3,4,5,6,7,8 – Pique on right leg to retiré position and then bring down and couru then
repeat with other foot. (x2)
1,2,3,4,5,6,7,8 – Jump back with legs in arabesque position stretching basket out.
1,2,3,4,5,6,7,8 – Pique on right leg to retiré position and then bring down and couru then
repeat with other foot and then bring back foot forward in fifth.
1,2,3,4,5,6,7,8 – Run to stage left at the back ending with right leg derriére.
1,2,3,4,5,6,7,8 – Do a glissade to the side into a souténu and then 4 petite ballonné.
1,2,3,4,5,6,7,8 – Do a glissade to the side into a souténu and then 4 petite ballonné.
1,2,3,4,5,6,7,8 – Do a glissade to the side into a souténu and then run in a circle to the
back of the stage.
1,2,3,4,5,6,7,8 – Run to center at the back of the stage and land in croisé derriére.
1,2,3,4,5,6,7,8 – Pique on right leg to retiré position and then bring down and couru then
repeat with other foot. (x2)
1,2,3,4,5,6,7,8 – Pique on right leg to retiré position and then bring down and couru then
repeat with other foot. (x2)
1,2,3,4,5,6,7,8 – Pique on right leg to retiré position and then bring down and couru then
repeat with other foot. (x2)
Until end of music section – Go around shifting weight from right foot to left foot in cou-
le-pied and then chaines finishing in croisé derriére.
1,2,3,4 – Pull out a flower from the basket and throw it towards Solor.
1,2,3,4 – Pull out another flower, but with the snake and it bites neck.
1,2,3,4,5,6,7,8 – Drop the snake and then bring hands to neck moving backwards.
1,2,3,4,5,6,7,8 – Solor tries to run to Nikiya, but the Rajah stops him.
1,2,3,4,5,6,7,8 – Nikiya runs forward holding hand to neck
1,2,3,4,5,6,7,8 – Relevé to fifth as she presents arms outwards.
1,2,3,4,5,6,7,8 – Runs in a circle.
1,2,3,4,5,6,7,8 – Turns to face Gamzatti and points her finger at Gamzatti, blaming her.
1,2,3,4,5,6,7,8 – Runs towards Gamzatti and waves hand over the basket of flowers and
points at Gamzatti again.
1,2,3,4,5,6,7,8 – Gamzatti nods her head and Nikiya runs there but it stopped by Rajah.
1,2,3,4,5,6,7,8 – Nikiya runs forward asking the High Brahmin for help.
1,2,3,4,5,6,7,8 – She runs forward towards the audience, stumbling a bit.
1,2,3,4,5,6,7,8 – Presents hands out to audience and then takes one step right
1,2,3,4,5,6,7,8 – Runs around in a circle and does a souténu with hand over forehead.
1,2,3,4,5,6,7,8 – Runs around in a circle and does a souténu with hand over forehead.
1,2,3,4,5,6,7,8 – Runs around in a circle and does a souténu with hand over forehead.
1,2,3,4,5,6,7,8 – Continues around the circle as if asking people for help.
1,2,3,4,5,6,7,8 – Continues to walk around.
1,2,3,4,5,6,7,8 – Chaines and then fall to the ground.
1,2,3,4,5,6,7,8 – High Brahmin comes towards her.
1,2,3,4,5,6,7,8 – Takes out the antidote and presents it to Nikiya.
1,2,3,4,5,6,7,8 – She reaches out and takes it.
1,2,3,4,5,6,7,8 – She turns around and stretches her arm to Solor only to see his back
towards her and she drops the antidote and presses her hand to her neck
as if it hurts.
1,2,3,4,5,6,7,8 – Faces stage right with right leg derriére and bends back with hand
stretched to Solor and then goes up into fifth sur les pointe. As she falls
Solor runs out and holds her as she lies down dead in his arms.

The curtain falls on the couple as the lights in the theatre comes on again signaling another intermission.

Ladies and Gentlemen,
This will be the last intermission for the evening. We kindly request for you to return to your seats in 15 minutes. Thank You.

The bell rings signaling the end of the intermission. The lights dim again as the curtain rises.



[u]Act 3: Kingdom of the Shades

Solor is so grieved over Nikiya’s death that he take refuge in opium and he is greeted by the vision of the Kingdom of the Shades. As the curtain rises, the Shades start to enter down a ramp in procession.

Order of Entry:
1. Dancing_Bianca
2. Margot2
3. Dance_Rach
4. IrishDancerGurl
5. dancin_babe34
6. elmarie
7. BabyHewey
8. Sylphie
9. Zellena
10. balletgrl
11. Phantess
12. danceangle120
13. twinkletoes247
14. The_tin_drum
15. Neomi
16. starballerina
17. Sugar_Dimple
18. Ballerina2509
19. Ballaweenie5
20. DancePrincess827
21. Tapper4ever
22. prplmnkydncr
23. borndancer
24. dancing_supastar
25. npbdancer
26. ProvincialDreamr
27. skinedancer
28. devilzsoup
29. Okie_ballerina
30. FutureGiselle
31. Ballerina042
32. SnickerDoodles00

1,2,3,4 – First Shade comes out and then does a devéloppé derriére and then bring leg
down and then into croisé derriére and take 2 steps forward.
1,2,3,4 – Next Shade enters and repeats the same step.
Each Shade enters continuing this step until all the Shades have entered. Once a shade reaches bottem of ramp, they turn to face the other side and continue the steps going in a zig-zag pattern. Continue steps until all Shades have come off ramp.
1,2,3,4 – Run in zig-zag lines into new position.



1,2,3,4 – Slowly rise to fifth sur les pointe and couru on the spot.
1,2,3,4 – Bring right foot up to retiré position.
1,2,3,4 – Devéloppé a la second.
1,2,3,4 – Bring leg down into éffacé derrieré then lift foot to first arabesque.
1,2,3,4 – Hold in first arabesque, letting arms sway up and down.
1,2,3,4 – Slowly lower to pencheé.
1,2,3,4 – Continue lowering and then lift back up into arabesque.
1,2,3,4 – Lower to kneeling position with right foot up and then stretch out right foot.
1,2,3,4 – Hold in position.
1,2,3,4 – Bring arms forward in Port de Bras dévant.
1,2,3,4 – Brings legs up and then relevé into fifth and couru on the spot.
1,2,3,4 – Couru on the spot, arms moving from first to second continuously.
1,2,3,4 – Couru on the spot, arms moving from first to second continuously.
1,2,3,4 – Couru on the spot, arms moving from first to second continuously.
1,2,3,4 – Go down into fifth and then battement tendu dévant on bent knee.
1,2,3,4 – Bring leg up into fifth sur les pointe and then slowly couru back.
1,2,3,4 – Continue to couru, hand going up into fifth and then fourth.
1,2,3,4 – Continue to couru as fourth arms open out.
1,2,3,4 – Go down, doing a grand battement derriére and then into croisé dévant
and then couru in a circle.
1,2,3,4 – Go down, doing a grand battement derriére and then into croisé dévant
and then couru in a circle.
1,2,3,4 – Go down, doing a grand battement derriére and then into croisé dévant
and then couru in a circle.
1,2,3,4 – Go down and then transfer weight to croisé derriére and then into arabesque.
1,2,3,4 – Hold in position.
1,2,3,4 – Bring leg down in croisé dévant.
1,2,3,4 – Back row couru back, arms going into third arabesque.
1,2,3,4 – Next row from back couru back, arms going into third arabesque.
1,2,3,4 – Second row from front couru back, arms going into third arabesque.
1,2,3,4 – Front row couru back, arms going into third arabesque.
1,2,3,4 – Couru around in circle, arms in fifth position.
1,2,3,4 – Couru on the spot as arms Port de Bras through second into first and then into
fourth as body turns to face opposite side.
1,2,3,4 – Go down and then transfer weight to éffacé derriére and then lift into arabesque.
1,2,3,4 – Hold position and then bring leg down into croisé dévant.
1,2,3,4 – Slowly walk into new position.



Finish in éffacé derriére facing towards backstage, arms in third arabesque.

The ghosts of the dead bayadéres (Shades) start to do a waltz with the three shade soloists leading them.

First four bars – Three Shade soloists walk out from back stage left and wait with feet in
Croisé derriére.
1,2,3,4,5,6 – Soloists take one step forward.
1,2,3,4,5,6 – Take another step forward.
1,2,3,4,5,6 – Take 2 quick steps.
1,2,3,4,5,6 – Do a small Pas de bourreé to face other direction in croisé derriére.
Basic Moves for Shades – Jump in arabesque away from backstage and then pique. Do a
Pique arabesque and then a pique to retiré position.
1,2,3,4,5,6 – Soloists do an assemblé and then relevé in fifth.
1,2,3,4,5,6 – Do a chassé followed by a cabriole derriére.
1,2,3,4,5,6 – Soloists do an assemblé and then relevé in fifth.
1,2,3,4,5,6 – Do a chassé followed by a cabriole derriére.
1,2,3,4,5,6 – Soloists do an assemblé and then relevé in fifth.
1,2,3,4,5,6 – Do a chassé followed by a cabriole derriére.
1,2,3,4,5,6 – Soloists do an assemblé and then relevé in fifth.
1,2,3,4,5,6 – Do a chassé followed by a cabriole derriére.
1,2,3,4,5,6 – Soloists do an assemblé and then relevé in fifth.
1,2,3,4,5,6 – Do a chassé followed by a cabriole derriére.
1,2,3,4,5,6 – Do a qautre entréchat to cou-le-pied position then take a step forward
followed by a petite jeté into a devéloppé dévant.
1,2,3,4,5,6 – Do a Pas de Bourreé pique.
1,2,3,4,5,6 – Do another quatre entréchat and then run to new position.



1,2,3,4,5,6 – All the shade do a jump in attitude derriére into cou-le-pied position.
1,2,3,4,5,6 – Repeat moving in a cicle with partner.
1,2,3,4,5,6 – All do a jeté entrélace moving away from partner. For soloists, move in 3
directions.
1,2,3,4,5,6 – Do a small Grand Jeté back to original position.
1,2,3,4,5,6 – All the shade do a jump in attitude derriére into cou-le-pied position.
1,2,3,4,5,6 – Repeat moving in a cicle with partner.
1,2,3,4,5,6 – All do a jeté entrélace moving away from partner. For soloists, move in 3
directions.
1,2,3,4,5,6 – Do a small Grand Jeté back to original position.
1,2,3,4,5,6 – All the shade do a jump in attitude derriére into cou-le-pied position.
1,2,3,4,5,6 – Repeat moving in a cicle with partner.
1,2,3,4,5,6 – The Corps stops and waits in croisé derriére while the 3 soloists do a jeté
entrélace back in the same direction.
1,2,3,4,5,6 – Soloists do one more jeté entrélace.
1,2,3,4,5,6 – Soloists then do a Grand jeté en attitude followed by a pique pirouette in a
devéloppé a la second.
1,2,3,4,5,6 – Do another Grand jeté en attitude.
1,2,3,4,5,6 – Then repeat the pirouette. As soloists do that, corps move to back to 2 rows.
1,2,3,4,5,6 – All the Shades do a jump in arabesque to right and then wait in fifth.
1,2,3,4,5,6 – Then do a relevé en devéloppé a la second.
1,2,3,4,5,6 – Do a jump in arabesque to left and then wait in fifth.
1,2,3,4,5,6 – Then do a relevé en devéloppé a la second.
1,2,3,4,5,6 – All the Shades do a jump in arabesque to right and then wait in fifth.
1,2,3,4,5,6 – Then do a relevé en devéloppé a la second.
1,2,3,4,5,6 – All the Shades do a jump in arabesque to left and then wait in fifth.
1,2,3,4,5,6 – Then do a relevé en devéloppé a la second.
1,2,3,4,5,6 – Do a battement dégage dévant and then to fifth sur les pointe and then do
another battement degage derriére.
1,2,3,4,5,6 – The do a devéloppé dévant sur les pointe into a rond de jambe en l’air.
1,2,3,4,5,6 – Do a battement dégage dévant and then to fifth sur les pointe and then do
another battement degage derriére.
1,2,3,4,5,6 – The do a devéloppé dévant sur les pointe into a rond de jambe en l’air.
1,2,3,4,5,6 – Do a battement dégage dévant and then to fifth sur les pointe and then do
another battement degage derriére.
1,2,3,4,5,6 – The do a devéloppé dévant sur les pointe into a rond de jambe en l’air.
1,2,3,4,5,6 – Do a battement dégage dévant and then to fifth sur les pointe and then do
another battement degage derriére.
1,2,3,4,5,6 – The do a devéloppé dévant sur les pointe into a rond de jambe en l’air.
1,2,3,4,5,6 – Soloists do a jump forward in arabesque bring foot down to fifth and do a
souténu in fiftj.
1,2,3,4,5,6 – Corps does a port de bras to fifth.
1,2,3,4,5,6 – Then port de bras to first.
1,2,3,4,5,6 – All Shades do an assemblé followed by a jump to the right in arabesque.
1,2,3,4,5,6 – Then do a glissade to left followed by another assemblé.
1,2,3,4,5,6 – Corps does a port de bras to fifth.
1,2,3,4,5,6 – Then port de bras to first.
1,2,3,4,5,6 – All Shades do a devéloppé derriére and then exit the stage.


After which, we see Solor enter the Kingdom, looking for Nikiya. Suddenly he sees Nikiya in the distance and then she comes to him to dance and forgive him.

1,2,3,4,5,6,7,8 – Solor runs in from stage left.
1,2,3,4,5,6,7,8 – Pique en attitude derriére and then into a double pirouette en attitude.
1,2,3,4,5,6,7,8 – Run in the opposite direction and then do a pique en attitude derriére.
1,2,3,4,5,6,7,8 – Do a double pirouette en attitude derriére followed by a relevé in fifth.
1,2,3,4,5,6,7,8 – Pique arabesque and then step forward then do a rond de jambe en l’air
with other leg.
1,2,3,4,5,6,7,8 – Pique arabesque on other leg and then step forward then do a rond de
jambe en l’air with other leg.
1,2,3,4,5,6,7,8 – Pique arabesque on other leg and then run forward and stop in croisé
dévant.
1,2,3,4,5,6,7,8 – Pause and open arms into open second.
1,2,3,4,5,6,7,8 – Nikiya appears behind backdrop as light shines on her.
1,2,3,4,5,6,7,8 – Solor turns around and sees her with legs in éffacé dévant.
1,2,3,4,5,6,7,8 – Take a step forward into a devéloppé dévant and then step down and
make a turn.
1,2,3,4,5,6,7,8 – Take a step forward into a devéloppé dévant and then step down and
make a turn.
1,2,3,4,5,6,7,8 – Take a step forward into a devéloppé dévant and then step down and
make a turn.
1,2,3,4,5,6,7,8 – Take a step forward into a devéloppé dévant and then step down and
make a turn.
1,2,3,4,5,6,7,8 – He does a triple pirouette into a kneeling position in front of Nikiya, but
she has gone.
1,2,3,4,5,6,7,8 – He gets up from his kneeling position and looks around.
1,2,3,4,5,6,7,8 – He walks to stage left.
1,2,3,4,5,6,7,8 – Walks in opposite direction and then does a pique arabesque.
1,2,3,4,5,6,7,8 – Does 4 grand jetés in a circle.
1,2,3,4,5,6,7,8 – Does 1 more grand jeté into a double pirouette.
1,2,3,4,5,6,7,8 – Does a devéloppé a la second en demi-pointe and then does a pique
en attitude derriére followed by a glissade.
1,2,3,4,5,6,7,8 – Does a devéloppé a la second en demi-pointe and steps out into a small
souténu and then into a low arabesque and start to run in a circle.
1,2,3,4,5,6,7,8 – Continue to run and do a grand jeté ending on center stage right, legs in
croisé derriére.
1,2,3,4,5,6,7,8 – Nikiya walks out from stage left and pauses in croisé derriére.
1,2,3,4,5,6,7,8 – She does a slow port de bras from first to fifth.
1,2,3,4,5,6,7,8 – Does a port de bras back to first.
1,2,3,4,5,6,7,8 – Solor kneels down with right leg forward as Nikiya takes 2 steps
forward.
1,2,3,4,5,6,7,8 – She takes another step forward then runs towards Solor and does a small
jeté into arabesque position behind Solor, holding his shoulder.
1,2,3,4,5,6,7,8 – Relevé in arabesque position then lowers herself into a pencheé.
1,2,3,4,5,6,7,8 – She comes out of the pencheé and then courus round in a circle followed
by a souténu to be directly in front of Solor.
1,2,3,4,5,6,7,8 – Solor holds Nikiya’s waist as she does a devéloppé dévant sur les pointe
then lowers leg and courus forward.
1,2,3,4,5,6,7,8 – She lifts leg into arabesque position and then walks forward, Solor
following her, ending with legs in éffacé derriére.
1,2,3,4,5,6,7,8 – Solor holds her hand as she does a jeté to the side into a cou-le-pied
position sur les pointe facing Solor.
1,2,3,4,5,6,7,8 – In that position, Solor turns her to face forward and Nikiya does a
devéloppé a la second.
1,2,3,4,5,6,7,8 – Still in a devéloppé position, Solor promenades her and then she brings
her leg down into retire position and turns to face him.
1,2,3,4,5,6,7,8 – Solor moves to face stage left and turns Nikiya slightly to face that
direction as she does a devéloppé derriére and then releases his arm
and goes off pointe and into a pencheé.
1,2,3,4,5,6,7,8 – Solor holds her hand as she does a jeté to the side into a cou-le-pied
position sur les pointe facing Solor.
1,2,3,4,5,6,7,8 – In that position, Solor turns her to face forward and Nikiya does a
devéloppé a la second.
1,2,3,4,5,6,7,8 – Still in a devéloppé position, Solor promenades her and then she brings
her leg down into retire position and turns to face him.
1,2,3,4,5,6,7,8 – Solor moves to face stage left and turns Nikiya slightly to face that
direction as she does a devéloppé derriére and then releases his arm
and goes off pointe and into a pencheé.
1,2,3,4,5,6,7,8 – Nikiya runs off into the back stage left as Solor still stays front stage
right.
1,2,3,4 – She steps into fifth sur les pointe turning to face Solor and then
1,2,3,4,5,6,7,8 – She does 4 grand jeté getting higher and higher on each one.
1,2,3,4,5,6,7,8 – Nikiya does 2 more grand jetés and then relevés in fifth and courus
as Solor comes up behind her.
1,2,3,4,5,6,7,8 – They do a double supported pirouette, Nikiya finishing in devéloppé a la
second and then brings the leg through retiré position into devéloppé
dévant.
1,2,3,4,5,6,7,8 – She then does a fouette into a pirouette cinq ending in attitude derriére.
1,2,3,4,5,6,7,8 – She courus around Solor to end on his left in croisé dévant.
1,2,3,4,5,6,7,8 – She courus to her left away from Solor and then does a souténu.
1,2,3,4,5,6,7,8 – Nikiya holds on to Solor’s hand and does a devéloppé a la second.
1,2,3,4,5,6,7,8 – She then turns into an arabesque position as Solor turns so his back is
facing her and she rests her hand on his shoulder.
1,2,3,4,5,6,7,8 – Hold position then Nikiya goes off pointe into croisé dévant.
1,2,3,4,5,6,7,8 – She courus to her left away from Solor and then does a souténu.
1,2,3,4,5,6,7,8 – Nikiya holds on to Solor’s hand and does a devéloppé a la second.
1,2,3,4,5,6,7,8 – She then turns into an arabesque position as Solor turns so his back is
facing her and she rests her hand on his shoulder.
1,2,3,4,5,6,7,8 – Hold position as Solor promenades her 90 degrees.
1,2,3,4,5,6,7,8 – Nikiya moves away from Solor by doing a jeté entrélace and then a
relevé en attitude derriére.
1,2,3,4,5,6,7,8 – Repeat. Then she courus backwards off stage as Solor follows her off.

Nikiya eventually forgives Solor as they start to do an adagio, renewing their vows to each other.

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1,2,3,4,5,6 – Shades enter in position as seen above with one arm around the others waist.
1,2,3,4,5,6 – Shades move into position.
1,2,3,4,5,6 – Battement tendu dévant outer leg and then transfer weight to other foot.
1,2,3,4,5,6 – Raise leg into arabesque position. Solor walks on stage to the center.
1,2,3,4,5,6 – Lean down into pencheé position. Solor pauses in the center and waits.
1,2,3,4,5,6 – Hold position.
1,2,3,4,5,6 – Hold position.
1,2,3,4,5,6 – Bring leg down to fifth.
1,2,3,4,5,6 – Slowly walk off stage.
1,2,3,4,5,6 – Walk off stage.
1,2,3,4,5,6 – Solor walks forward and pauses in front stage center.
1,2,3,4,5,6 – He brings his hands to his heart.
1,2,3,4,5,6 – Does a triple pirouette as Nikiya walks in.
1,2,3,4,5,6 – Does another triple pirouette and then relevés to fifth as Nikiya does the
same.
1,2,3,4,5,6 – Solor steps back as Nikiya walks forward.
1,2,3,4,5,6 – They then bow to each other as the Shades walk back into below position.

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1,2,3,4,5,6 – All the Shades and Nikiya do a circular port de bras.
1,2,3,4,5,6 – Nikiya and Shades holds position after port de bras and then Nikiya does a
petite devéloppé a la second.
1,2,3,4,5,6 – Nikiya then brings extended leg around to go into an échappé position with
back facing audience
1,2,3,4,5,6 – Then turn around to face audience and then do a fouette to a single pirouette,
Solor moving to support her.
1,2,3,4,5,6 – Solor promenades her quickly as she extends her leg through attitude
derriére to arabesque.
1,2,3,4,5,6 – Solor lifts Nikiya straight up as she opens her leg to arabesque position
and then finishes in araesbque.
1,2,3,4,5,6 – Repeat as the Shades do a souténu ending in croisé derriére.
1,2,3,4,5,6 – Solor then lifts her up again as she does a petite devéloppé dévant.
1,2,3,4,5,6 – She then runs away from Solor as they bow to each other again.
1,2,3,4,5,6 – All the Shades and Nikiya do a circular port de bras.
1,2,3,4,5,6 – Nikiya and Shades holds position after port de bras and then Nikiya does a
petite devéloppé a la second.
1,2,3,4,5,6 – Nikiya then brings extended leg around to go into an échappé position with
back facing audience
1,2,3,4,5,6 – Then turn around to face audience and then do a fouette to a single pirouette,
Solor moving to support her.
1,2,3,4,5,6 – Solor promenades her quickly as she extends her leg through attitude
derriére to arabesque.
1,2,3,4,5,6 – Solor lifts Nikiya straight up as she opens her leg to arabesque position
and then finishes in araesbque.
1,2,3,4,5,6 – Repeat as the Shades do a souténu ending in croisé derriére.
1,2,3,4,5,6 – Nikiya relevés in fifth and then Solor lifts her straight up and over his head,
so her back is bending back and then she does a devéloppé dévant.
1,2,3,4,5,6 – Solor walks her towards stage right as she brings extended leg down.
1,2,3,4,5,6 – Solor slowly brings her down.
1,2,3,4,5,6 – Solor puts Nikiya down.
1,2,3,4,5,6 – She then walks forward into croisé derriére.
1,2,3,4,5,6 – Nikiya turns around and puts her hand in Solor’s and rises to fifth en pointe.
1,2,3,4,5,6 – She then courus forward towards Solor as he walks backwards.
1,2,3,4,5,6 – She then turns to face audience, one hand holding onto Solor’s.
1,2,3,4,5,6 – Nikiya and Solor does a glissade followed by Nikiya doing a relevé en
arabesque.
1,2,3,4,5,6 – Nikiya and Solor walk to centerstage At the same time, Shades move to
new position.
1,2,3,4,5,6 - Nikiya goes into attitude derriére sur les pointe, Solor’s arms around her.

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1,2,3,4,5,6 – Nikiya runs to the back stage left as Solor waits in fron stage right.
1,2,3,4,5,6 – Nikiya waits in éffacé dévant as Shades do down into kneeling position
with outer legs stretched out front. Arms in third. Throughout the next
section, the Shades change arms on every third count.
1,2,3,4,5,6 – Nikiya does a pique pirouette into a devéloppé a la second. Repeat.
1,2,3,4,5,6 – She then does a souténu ending in fifth sur les pointe.
1,2,3,4,5,6 – Nikiya does a pique pirouette into a devéloppé a la second. Repeat.
1,2,3,4,5,6 – She then does a souténu ending in fifth sur les pointe.
1,2,3,4,5,6 – Nikiya does a pique pirouette into a devéloppé a la second. Repeat.
1,2,3,4,5,6 – She then does a souténu ending in fifth sur les pointe.
1,2,3,4,5,6 – Nikiya and Solor runs to stage left and wait with left leg derriére.
1,2,3,4,5,6 – Nikiya does two pique pirouettes to right
1,2,3,4,5,6 – She does another pique pirouette, this time Solor supporting her in a double
pirouette ending in arabesque and then into fifth sur les pointe.
1,2,3,4,5,6 – Nikiya does two pique pirouettes to right
1,2,3,4,5,6 – She does another pique pirouette, this time Solor supporting her in a double
pirouette ending in arabesque and then into fifth sur les pointe.
1,2,3,4,5,6 – Nikiya does two pique pirouettes to right
1,2,3,4,5,6 – She does another pique pirouette, this time Solor supporting her in a double
pirouette ending in arabesque and then into fifth sur les pointe.
1,2,3,4,5,6 – Nikiya courus forward and then does a demi-plié in fourth into a quatre
supported pirouette finishing in attitude derriére.
1,2,3,4,5,6 – Hold position then slowly comes down.
1,2,3,4,5,6 – Solor and Nikiya run in different directions around the circle.
1,2,3,4,5,6 – Continue running and meet at the back center.
1,2,3,4,5,6 – Nikiya does a pique en arabesque with Solor supporting her and then brings
leg to retiré position.
1,2,3,4,5,6 – She then does a devéloppé a la second and changes into a pencheé.
1,2,3,4,5,6 – She comes out of the pencheé and holds the arabesque position.
1,2,3,4,5,6 – Nikiya takes 3 steps away from Solor and waits in croisé derriére.
1,2,3,4,5,6 – Nikiya turns around and holds Solor’s hands and courus towards him as the
Shades exit the stage.
1,2,3,4,5,6 – Nikiya does a devéloppé dévant and holds her leg there.
1,2,3,4,5,6 – She leans back as Solor comes from behind her and picks her up with one
hand beneath her back and the other on her knees, Nikiya horizontal.
1,2,3,4,5,6 – Solor rocks her back and fourth.
1,2,3,4,5,6 – He then brings her up into an eagle lift.
1,2,3,4,5,6 – He walks towards stage left still with Nikiya on his shoulder.
1,2,3,4,5,6 – He walks to stage right.
1,2,3,4,5,6 – And then backs up to center stage.
1,2,3,4,5,6 – He takes a few steps back.
1,2,3,4,5,6 – He then kneels down and puts Nikiya down.
1,2,3,4,5,6 – Nikiya courus forward as Solor walks behind her.
Until end of music – They do 6 supported pirouettes and end with Nikiya in attitude
derriére with Solor kneeling and supporting her. At the same time,
the shades enter into the two rows formation.

The first Shade Soloist enters.

1,2,3,4 – Start in back stage right in croise devant then shifts weight to croise derriere,
hands going into third arabesque.
1,2,3,4 – Sauté into développé a la second, followed by Pas de bourrée into Assemblé
deux.
1,2,3,4 – Retiré to attitude devant, stetch into Développé devant then back to fifth en
pointe then go down into fifth position followed by single pirouette.
1,2,3,4 – Sauté into développé a la second, followed by Pas de bourrée into Assemblé
deux.
1,2,3,4 – Retiré to attitude devant, stetch into Développé devant then back to fifth en
pointe then go down into fifth position followed by single pirouette.
1,2,3,4 – Sauté into développé a la second, followed by Pas de bourrée into Assemblé
deux.
1,2,3,4 – Relevé to attitude devant, stetch into Développé devant then back to fifth en
pointe then go down into fifth position followed by single pirouette.
1,2,3,4 – Sauté into développé a la second, followed by Pas de bourrée into Assemblé
deux.
1,2,3,4 – Relevé to attitude devant, stetch into Développé devant then back to fifth en
pointe then go down into fifth position followed by Pas de bourrée pique.
1,2,3,4 – Relevé passé en avant followed by Relevé développé a la second.
1,2,3,4 – Relevé en attitude derriere followed by a single pique pirouette.
1,2,3,4 – Relevé passé en avant followed by Relevé développé a la second.
1,2,3,4 – Relevé en attitude derriere followed by a single pique pirouette.
1,2,3,4 – Relevé passé en avant followed by Relevé développé a la second.
1,2,3,4 – Relevé en attitude derriere followed by a single pique pirouette.
1,2,3,4 – Pique arabesque on right into croisé devant, repeat on opposite leg.
1,2,3,4 – Pique arabesque on right leg then Retiré sur la pointe.
1,2,3,4 – Pique arabesque on left leg then Retiré sur la pointe.
1,2,3,4 – Four Retiré sur la pointe going around in a circle.
1,2,3,4 – Pique arabesque on left leg then Retiré sur la pointe.
1,2,3,4 – Pique arabesque on right leg then Retiré sur la pointe.
1,2,3,4 – Four Retiré sur la pointe going around in a circle.
1,2,3,4 – Sauté in arabesque followed by two steps behind.
1,2,3,4 – Sauté in arabesque followed by two steps behind turning around to face back.
1,2,3,4 – Sauté in arabesque but turning around in air to face forward.
1,2,3,4 – Run and then so an assemblé on last count.
1,2,3,4 – Relevé to fifth.
1,2,3,4 – Couru forward but with feet side by side.
1,2,3,4 – Repeat.
1,2,3,4 – Repeat.
1,2,3,4 – Do a pas couru and then a grand jeté finishing in a kneeling position with left
leg forward.

The second Shade Soloist enters.

1,2,3,4 – Legs in croisé dévant.
1,2,3,4 – Pique arabesque into effacé dévant.
1,2,3,4 – Step en pointe on right leg, left leg into coupé (x4).
1,2,3,4 – Pique arabesque into effacé dévant.
1,2,3,4 – Step en pointe on right leg, left leg into coupé (x4).
1,2,3,4 – Pique arabesque into effacé dévant.
1,2,3,4 – Step en pointe on right leg, left leg into coupé (x4).
1,2,3,4 – Chasse forward sur les pointe.
1,2,3,4 – Chasse forward sur les pointe.
1,2,3,4 – Pique arabesque with bent leg and then stretch leg.
1,2,3,4 – Chasse forward sur les pointe.
1,2,3,4 – Pique arabesque with bent leg and then stretch leg.
1,2,3,4 – Chasse forward sur les pointe.
1,2,3,4 – Pique arabes

We did such a great job everyone!!!!

Nikya CLAPS HER HANDS AND GETS UP from the chair.
she says: "oh this is my fave ballet, they made a great job!!!! "

Yay! We did a great job! All the hard work paid off.

Wow! We did really good!

Caitlin goes around congradualating everyone.

So, is there gonna be an after party at Le Barre? I'm staving! lol

Wow, great job and how long did it take you to type that? lol

My guess is she copy and pasted it from the rehearsal threads

*Megan stands up clapping* You guys did a great job! All the hard work definently paid off. Woohoo!!!

Cool!!!! It must of took alot of time!!!! I really enjoyed it!!!! *Brittany*


Encore!!!!!!!!! Encore!!!!!!!!!!!

YAY! That wen't awesome guyz!

Why, yes guys, we did well! Thank you for your support

Nicola

We did a great job guys!!Good job everyone!

~*Rach,a Paula Abdul Fan*~

We id it! We did it! We did it!

Well done guys and especially to ballet_babe! Fabby job hun! I'm still high from winning that VIS award!


RBG xxx

We did great! I'm so excited! Great job everybody. Reaye places a huge bouquet of roses in ballet_babe's arms, "Thank you so much for making this production a success "